She was going back to her own life. Back to the civilized pains of art:
its nostalgia for lost simplicity, its full and generous tolerance,
its self-studious doubt, its divinely useless mirth, its disregard
of things not worth discussing among the cheerfully disenchanted. Ah,
never try to explain things you know are true. As soon as you begin to
do that, they seem doubtful.
A darkness kept coming into the picture. It was as though the silence
that had been stored up in that house was now draining out of it,
seeping into the absorbent air. The fog was thickening and distorted
perspectives. The house was out of drawing. That tricky shadow under
the balcony was baffling: it made the whole porch seem out of plumb.
Holding up a brush to get a true horizontal, she saw that Martin was
coming across the lawn.
“Why, it’s Bunny!” he said, pointing to the figure she had suggested
with a few hasty strokes. “I know now why she wanted you to help me.”
Joyce did not look up.
“You must go, at once,” she said.
“I was lying in bed, waiting for it to be time to get up. I saw that
some of the wallpaper, by the window, was torn. When I looked at it I
found the mouse pattern underneath. It’s the old nursery.”
“That’s what Bunny meant! Go and look in the cupboard, see if you can
find it, the mouse I gave you. That’s your only chance.”
“I think I understand now.”
“You mean, you know that we’re the same----”
“Yes, that this is what we’re all coming to. Except Bunny ... and--and
you. _You_ haven’t done it, not quite....”
“Martin, I’m worst of all,” she cried. “I’m neither one nor the other.”
“No, I think Ben is the worst,” he said slowly. “It’s too bad; he was
such a nice boy. Of course George is pretty awful, but I didn’t know
him before.”
“Quick, go away. Don’t try to learn too much. You must go for _their_
sake. If they find out who you are----”
She had a sick presentiment that they must hurry. And still he
lingered, and she could feel Time sloping toward some bottomless plunge.
“Perhaps I don’t want to go. There’s something I don’t quite
understand. You all look at each other so queerly: look, and then turn
away. And you and George in the garden. What is it? What’s happened
that hurts you all so?”
How could she answer? How tell him that the world is often too fierce
for its poor creatures, overstrains and soils them in their most
secret nerves; and that with all their horrors they would not have it
otherwise. He had come like the unspoiled essence of living, groping
blindly for what it divines to be happy and real and true; he was
thwarted and damned by the murderous pettiness of his own scarred
brethren. If I had two friends called Food and Hunger, I’d never
introduce them to each other. Must she, who was born to love him, be
the one to tell him this?
“You _must_ go. Don’t you see, it isn’t only us. It’s you too. You and
George.... Oh, I tried not to tell you. George is just you grown up.”
He looked at her, appalled.
Public-domain text, read in full here on John Shaqi.
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