Everything else they had ever known had been only an interruption. This
had always been happening, underneath. It was the unknown music for
which their poem had been written. They were quit of the pinch of Time,
the facetious nudge of Custom. Quietness was in them, satient like
fresh water in a thirsty throat. Here was the fulfilment men plot and
swink for: and how different from crude anticipation. What could there
be now but pity and kindness? Here was triumph: Man, the experimenting
artist, had created fantasy above the grasp of his audience, Nature.
Like any true artist, he must always play a little above his audience’s
head.
“Now I’m going to tell you the truth,” he said happily, and waited a
moment for the luxury of her voice.
She was silent. He turned to look; her face was anxious.
“Why is it,” he said gently, “that when you announce you’re going to
tell the truth, people always expect something disagreeable?”
Then he knew that the sand was chill and gritty. A breeze was blowing,
the light was dim and meagre. This was not the glad forgiving sun but
the cold and glassy moon.
“No, no!” she cried. “You must never tell the truth in a dream. If you
do ... it happens.”
“But this was a lovely truth,” he began. A window snapped into
brightness beside him, just above his head. Phyllis was looking from
the pantry.
“George! What on earth are you muttering about out there? Come in and
help me cut sandwiches.”
XVII
He was startled to find Phyllis at work in her nightgown. Another
hallucination, perhaps, he thought sardonically. Everything seems to
burlesque everything else.
She had thrown aside her blue quilted wrapper and was busy slicing
and spreading. The table was crowded with bread, ham, beef, lettuce,
mustard, jam, and cheese. The Picnic. George had forgotten the menace
of the Picnic. It struck him as pathetic to see her valiantly preparing
the details of this festival which was already doomed and damned.
She was chopping off little brown corners of crust. Wasteful, as
usual; besides, the crust is the best part. He managed not to say so,
remembering that he had made the remark every time he had ever seen her
cut sandwiches. The lace yoke at her neck had two tiny buds of blue
ribbon stitched in it. There was something pitiably nuptial about them.
How soft and young she was in her flimsy robe. Her eyes were smudged
with fatigue. How beautiful she would have looked to any other man.
“My dear child, cutting sandwiches in your best nightgown.”
“I haven’t anything better to do in it, have I?”
“Yes, you have. Go to bed in it.”
He held the wrapper for her.
“Put this on. I’ll open the door. Whew, it’s hot in here. I’ll finish
all this for you.”
The blade of the long carving knife continued, small definite crunches.
“You can have your sardines. I found a box in the pantry. There isn’t
any key for them, you’ll have to use the can opener.”
Public-domain text, read in full here on John Shaqi.
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