England -- Social life and customs -- 19th century -- Fiction; English fiction -- 19th century
With Mary Bower she spoke no longer, not even formal words. That insult
on the miserable night had been a blow Mary could not soon forgive, for
it came just at the moment when, having heard her parents' talk about
Thyrza, she was sincerely anxious to reunite herself to her former
friend and be what comfort to her she might. So now, whenever Lydia
went to see Mr. Boddy, she gave a private signal at the side door, and
the old man descended to admit her. Then, Totty Nancarrow. Strangely,
Lydia could now have been almost friends with Totty; she did not know
why. She met her by chance occasionally, and nodded, or at most spoke a
brief greeting, yet each time she would have liked to stop and talk a
little. Totty had been Thyrza's close friend; that formerly had been a
source of jealous feeling, now it seemed to have become an attraction.
Totty gave looks that were not unkind, but did not make advances; she
was a little ashamed of the way she had behaved when Lydia came to her
for help.
Lydia did not think it necessary to tell Gilbert that she too wanted to
let someone know that there was news from Thyrza. After leaving the
parlour, she ran out to a little shop in Kennington Road and purchased
a sheet of note-paper and an envelope. Writing a letter was by no means
a simple thing to Lyddy; it was after midnight before she had schemed
the sentences--or rather, the one long hyper-Attic sentence--in which
she should convey her intelligence to Ackroyd. Several things were to
be considered in this composition. First, it must be as brief as
possible; then, it must be very formal in its mode of address. Both
these necessities came of the consideration that the letter would of
course be shown to Totty Nancarrow, and Totty must have no cause of
complaint. 'Dear Mr. Ackroyd'--that was written, but might it stand? It
meant so much, so much. But how else to begin? Did not everybody begin
letters in that way? She really could not say 'Dear Sir.' Then--for the
letter _must_ be finished, the hour was getting so late--'Yours truly,
Lydia Trent.' Surely that was commonplace enough. Yes, but to say
'yours;' that too meant so much. Was she not indeed his? And might not
Totty suspect something in that 'yours?' You see that Lyddy was made a
very philosopher by love; she had acquired all at once the power of
seeing through the outward show of things, of perceiving what really
lies below our conventional forms. Well, the letter had to stand; she
had no second sheet of note-paper, and she had no more time, for the
weary eyes and hands must get their rest for to-morrow's toil. She
closed the envelope and addressed it; then, the ink being dry, she put
the written name just for an instant to her lips. Totty could not
divine that, and it was not so great a wrong. Perhaps Lydia would not
have done it, but that the great burden upon her was for the moment
lightened, and she longed to tell someone how thankful she was.
Public-domain text, read in full here on John Shaqi.
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