England -- Social life and customs -- 19th century -- Fiction; English fiction -- 19th century
Very shortly after came the permission for Lydia to visit her. It was
new assurance that Mrs. Ormonde was reconciled to what she had tried to
prevent. A week, and there would come another visitor, one who was more
to her even than her sister.
In looking back, the time seemed very brief, for, whatever change had
been made in her, the love which was her life's life had known no
shadow of change. Had it perhaps strengthened? It was hard to believe
that she could love more than in that day of her darkest misery, when
it had seemed that she must die of longing for him to whom she had
given her soul. Yet she was stronger now, her life was richer in a
multitude of ways, and every gain she had achieved paid tribute to her
life's motive. Her singing she valued most as a way of uttering the
emotion she must not speak of to anyone; in music she could ease
herself of passion, yet fear no surprisal of her secret. Nothing was a
joy save in reference to that one end that was before her. If she felt
happy in a piece of knowledge attained, it was because she would so
soon speak of it to him, and hear him praise her for it. Everything and
all people about her seemed to conspire for her happiness. Even the
bodily pain which had often tried her so was no longer troublesome, or
very seldom indeed. Mrs. Emerson might well call her 'happy girl.'
In him she could imagine no change. His face was as present to her as
if she had seen him an hour ago, and she never asked herself whether
two years would have made any alteration even in his appearance. His
voice was the voice in which he had spoken to Mrs. Ormonde, when he
uttered the golden words that said he loved her. He would speak now in
the same way, with those inflections which she knew so well, dearer
music than any she had learnt or could learn. In the beginning she had
known a few fears; time then was so long--so long before her; but what
had she to do with fear now? Was he not Walter Egremont, the man of all
men--the good, wise, steadfast? She had heard much praise of him in the
old days, but never praise enough. No one knew him well enough; no one
the half as well as she did. Should she not know him who dwelt in her
heart?
Public-domain text, read in full here on John Shaqi.
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