At the death of Agrippa, Julia, though already the mother of four children, and shortly to become the mother of a fifth, was only twenty-seven years of age. During the time of her married life she and Tiberius had been much absent from Rome; they had probably met very little since they were brought up together as children in the house of Augustus. Agrippa may have been an indulgent husband, willing to condone the more innocent levities of his young wife; or Tiberius, remembering his agreeable playfellow, now titularly his mother-in-law, may have chosen to disregard the scandalous whispers which reached his ears from time to time. On her husband’s death Julia found herself in an awkward position; it is true that her father was her friend, but her father’s wife was her enemy, an enemy whose mysterious influence she had good reason to dread, and whose ambition was menaced by the existence of Julia’s own children, already the darlings of their grandfather. Again it is not improbable that she cherished a purely feminine grudge against Vipsania, who had carried off her handsome playfellow, and was additionally piqued by the happiness which Tiberius had found in his marriage. The personal beauty of Tiberius was remarkable; his accomplishments no less so. He was unusually tall, broad shouldered, well shaped, and well proportioned from head to foot, of great physical strength; he belonged to the fair ruddy type of Italian, and carried a profusion of golden hair, which grew low down on the back of his neck, a family peculiarity, his eyes were exceptionally large, and he was credited with the power of seeing in the dark when first awakened; as he habitually carried his head in a bent position, it is possible that he suffered from some visual defect; he was naturally silent, and a slow talker; he had the reputation of being deeply learned, and indeed versed in occult mysteries, such a man as would attract the curiosity of a woman, and challenge her love of conquest by his intellectual, no less than by his physical, qualities. The few existing portraits of Tiberius fully bear out the descriptions given by Paterculus and Suetonius. The so-called bust of Tiberius in the British Museum is not a portrait of him, and was simply so named because it happened to have been found at Capri. Personal inclination, no less than policy, would have suggested to Julia that here was the natural protector of herself and children, and there was the additional inducement of delivering a checkmate to Livia by falling in with what had been her favourite scheme. With Tiberius as the stepfather and guardian of the children of Agrippa, there was nothing to be feared from the death of Augustus; Livia’s own son would be in a position to defeat any machinations against the heirs of the Julian race, and it was well known that whatever obligations Tiberius took upon himself, Tiberius would honourably fulfil.