Further, little attempt is made either by the _tiqueur_ or the stammerer
to correct his failing, so that prognosis improves with the adoption of
systematic treatment. Stammering is a functional anomaly; it is a
derangement of respiration, phonation, and articulation. However normal
be the movements of lips and throat in the execution of certain acts,
they are far from being normal in the exercise of speech. As a
preliminary to speaking the stammerer clenches his teeth and
approximates his lips, thus effectually preventing the inrush of air
except by the nares; simultaneously he contracts his tongue and
obstructs the isthmus of the pharynx, while the glottis also may close
spasmodically. Then he abruptly expands his thorax and inhales a
considerable quantity of air, yet is he ever on the verge of
breathlessness, for he cannot voluntarily arrest himself, or make a
break between two respirations. He seeks to continue speaking though his
lungs are empty of air; he cannot control expiration by antagonistic
contraction of inspiratory muscles; often he finds himself unable to
commence speaking at all.
The glottis is either open, allowing the silent escape of air, or it is
completely occluded. In the midst of syllables or words the voice is
frequently "cut" by a sudden halt indicative of spasmodic closure of the
glottis. A contrast to the ease with which vowels are pronounced is
provided by the difficulty experienced in the enunciation of various
consonants. Convulsive movements of the lips frustrate the endeavour to
form the series of successive positions which the consonants demand.
An association of stammering with convulsive phenomena of a different
nature has often been remarked. Instances of this have been given by
Janke.[122] One patient takes a few paces backward, limping with his
left leg till he finds something to give him support, and knocking his
shoulder several times against wall or furniture, as soon as he
encounters it; if he is seated he rises slowly from the chair, holding
it with his hands the while, and forthwith falls back into his seat in
order to begin. Another taps his fingers on his thigh whenever the word
he is about to utter commences with "g" or "k."
In Brissaud's clinique we have met with a couple of instructive cases:
The first concerned a showman who used to exhibit a series of
dissolving objects by means of mirrors, and who found one day that
he could not speak without scanning his syllables and explosively
ejaculating his words; at the same time his conversation was
punctuated by sudden and exaggerated shutting of the eyes and by
facial contortions. After a pause the inauguration of a phrase was
ushered by still more energetic and widespread spasms of the head
and even of all the body.
Public-domain text, read in full here on John Shaqi.
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