American fiction -- 20th century; Gold mines and mining -- Fiction; Western stories
Deveril strode by him to a table on which lay some letter paper and
wrote slowly and with great care, laboring over each letter:
I am going back to Babe Deveril.
LYNETTE.
And then he threw the pencil down and stood looking at Standing. And he
saw an expression of bewilderment, and then one of amazement wiping it
out, and then a great light leaping into Standing's eyes.
"You made her go! You dragged her away! And you wrote that!"
Deveril turned toward the door.
"I have told you that she loves you. So it is for her happiness,
much as I hate you, that I have told you.... She, thinking that you
preferred gold to her, has just gone out on the down stage...."
"By the Lord, man," and now Standing's voice rang out joyously, clear
and golden once more, "you've done a wonderful thing to-day! I wonder
if I could have done what you are doing? By thunder, Babe Deveril, you
should be killed for the thing you did ... but you've wiped it out.
After this ... need there be hatred between us?"
He put out his hand. Deveril drew back and went out through the door.
His horse, wet with sweat and flecked with foam, was waiting for him.
As he set foot into the stirrup he called back in a voice which rang
queerly in Standing's ears:
"She doesn't know I wrote that. Unless it's necessary ... You see, I'd
like her to think as well...." He didn't finish, but rode away. And as
long as he was in sight he sat very erect in the saddle and sent back
for any listening ears a light and lively whistled tune.
The stage, carrying its one passenger came rocking and clattering about
the last bend in the grade where the road crosses that other road which
comes down from the mountains farther to the east, from the region
of Bruce Standing's holdings. The girl's figure drooped listlessly;
her eyes were dry and tired and blank with utter hopelessness. Long
ago the garrulous driver had given over trying to talk with her. Now
she was stooping forward, so that she saw nothing in all the dreary
world but the dusty dashboard before her ... and in her fancy, moving
across this like pictures on a screen, the images of faces ... Bruce
Standing's face when he had chained her; when he had cried out that he
loved her....
The driver slammed on his brakes, muttering; the wheels dragged; the
stage came to an abrupt halt. She looked up, without interest. And
there in the road, so close to the wheel that she could have put out a
hand and touched him, was Bruce Standing.
"Lynette!" he called to her.
She saw that he had a rifle in his hand; that a buckboard with a
restive span of colts was at the side of the road. The driver was
cursing; he understood that Standing, taking no chances, had meant to
stop him in any case.
"What's this?" he demanded. "Hold up?"
Standing ignored him. His arms were out; there was the gladdest look in
his eyes Lynette had ever seen in any man's; when he called to her he
sent a thrill like a shiver through her. He had come for her; he wanted
her....
Public-domain text, read in full here on John Shaqi.
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