Yet if the artificial production of life were to happen to-day--if
in some of our laboratories living matter were produced from
non-living, should we not still have to credit the event to some
mysterious potency residing in matter itself? If by a lucky stroke
man were to evoke the organic from the inorganic, be assured he
would not evoke something from nothing, or add anything to the
latent possibilities of the elements with which he works. Does not
the question still remain who or what made this feat possible? One
dare affirm that man cannot create life de novo any more than he can
create matter. He may yet evoke life as he evokes the spark from the
flint and the flame from the match or as he evokes force from the
food he eats. In this latter case he does not create the force; he
liberates it through the vital forces of his body. The spark from
the flint and the flame from the match were called forth by a
mechanical process, but the process was set going by the will which
waits upon the vital process. The body with all its many functions
is a complicated system of mechanical devices and chemical
processes, but that which is back of all and governs all is not
mechanical; the body is a machine plus something else.
The chemist or biologist who shall produce a speck of protoplasm
to-day will have the credit of unlocking a power in inorganic
nature; he will prove by a short cut how immanent the creative
energy or the vital force of the universe is in matter. He will not
have eliminated the creative energy; he will only have disclosed it
and availed himself of it.
We behold spontaneous combustion, a fire self-kindled, but we do
not see the activity of the particles of matter that preceded it or
penetrate the secret of their mysterious affinities. The fire was
potential there in the very constitution of the elements. We flout
at miracles, and then we disclose an unending miracle in the life
about us.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account