I know that I stood for quite half a minute, staring at the thing
stupidly, and wondering what had happened, or if I were going mad. I had
found the outer door locked, and now, when I was in the room, a
death-like silence reigned; yet here was the candle alight. When at last
I mustered courage to take a step or two into the place, and to look
round the corner of the table, I think I fully expected to see the man
with the knife in him gone, and to know, in some horrible fashion, that
he was in that inner room, waiting for me. It took me a long time, even
after I had seen him lying there, with that stiff hand still gripping
the hilt of the knife, to realize that he was dead, and that he could
not possibly have lighted the candle. Even in the horror of that moment,
when it dawned upon me slowly and dreadfully that some one else was
hidden in those rooms, I know that I laughed softly at the absurdity of
the notion that the dead man could have lighted the candle.
There was no sound in the place--no movement of any kind. The chambers
were very small--just the lobby outside, and the little sitting-room,
and a bedroom beyond. The lobby was empty; the sitting-room contained
only the dead man and myself; whoever was there must be in the bedroom
beyond. I began to form conjectures as to who might be hidden
there--going over in my mind this one and that, who might by any
possibility be interested in this matter, or in me. Once, as I watched
the door of that inner room, there was a mad feeling in my mind that I
would blow out the candle, and make a bolt for it; for the door of the
bedroom was closed, and whoever was there could not have seen me.
Finally I did nothing at all, but just to stand very still, wondering
what I should do. In those few minutes I seemed to live a lifetime--to
touch the depths of hope and fear, and life and death, and even madness.
My horror was not decreased by seeing the door of the bedroom begin
slowly to open. It took a long time; because whoever was opening that
door half repented of their purpose more than once. For the door would
jerk an inch or two open, and then an inch or two back, and then would
close again entirely--and all this quite noiselessly. The thing was
getting on my nerves to that extent that I know I was on the verge of
screaming out, when I saw a hand grasp the lintel of the doorway--a thin
bony hand, that gripped the wood tenaciously. Then the door flew open
with startling suddenness, and a face--ghastly white, and with a
dropping jaw--was thrust out into the room--the face of Jervis Fanshawe.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account