Architects have found that their art is cunning to play tricks with
them; whence come whispering galleries, comers of echoes, roofs that
crush the voice of the speaker, and roofs that enlarge it. Father
Connell gave no orders to shape the roofs of St. Catherine's, that on
stormy nights so many odd noises might congregate there, whispering,
calling, murmuring, now over the chancel, now the organ, now far up in
the secret high places of the roof, now seeming to gather in confidence
above the Christ figure and the circle of sleepers; or, if one vaguely
imagined some inquisitively errant beings moving overhead, it would seem
that newcomers constantly entered, to whom it had all to be explained.
But against that eager motion in the darkness above the Christ figure
below was bright in his long garment, and quiet and secure. The cluster
of gas jets over his head made light but a little distance around, then
softened the dusk for another distance, and beyond seemed not to touch
the darkness at all. The dusk was a debatable space. The sleepers all
lay in the debatable space. They may have sought it by instinct; but
the more one looked at them the more they seemed like dull, half-animate
things, over whom the light and the darkness made their own compromises
and the people up in the roof their own comments.
The clock in the steeple struck the hours; in the church the tremble was
felt more than the sound was heard. The chimes each hour started their
message, “Good will and peace;” but the wind went after it and howled it
down, and the snow did not cease its petulance at the windows.
*****
The clock in the steeple struck five. The man with the hoarse voice sat
up, leaned over the back of the seat and touched his neighbor, who rose
noiselessly, a huge fat man and unkempt.
“Time to slope,” whispered the first, motioning toward the chancel.
The other followed his motion.
“What's up there?”
“You're ignorance, you are. That's where they gives the show. There's
pickin's there.”
The two slipped out and stole up the aisle with a peculiar noiseless
tread. Even Fat Bill's step could not be heard a rod away. The aisle
entered the circle of light before the Christ figure; but the two
thieves glided through without haste and without looking up. The
smaller, in front, drew up at the end of the aisle, and Fat Bill ran
into him. Dennis sat in his chair against the chancel rail, asleep.
“Get onto his whiskers, Bill. Mebbe you'll have to stuff them whiskers
down his throat.”
There was a nervous giggle behind them. Fat Bill shot into a pew,
dragging his comrade after him, and crouched down. “It ain't no use,”
he whispered, shaking the other angrily. “Church business is bad luck. I
alius said so. What's for them blemed noises all night? How'd come they
stick that thing up there with the gas over it? What for'd they leave
the doors open, an' tell ye to come in, an' keep their damn devils
gigglin' around? 'Taint straight I won't stand it.”
Public-domain text, read in full here on John Shaqi.
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