Although Albano's fancy was a retina of the universe, on which every
world sharply pictured itself, and his heart the sounding-board of the
sphere-music, in which each revolved, yet neither the evening nor the
larghetto, with their rays and tones, could pierce through the high
waves which expectation as well as anxiety (both obscure nature and art)
dashed up within him. The bank of the fountains is entwined around with
a green ring of orange-trees, whose blossoms, in the East, according to
the Selam-cipher, signify _hopes_; but really one after another was
short-lived, when he thought of the cold, clear mother, or of his
perhaps vain waiting. The fountains leaped not yet,--he kept plucking
away, like a premature autumn, more and more of the broad fan-leaves
from his blooming Spanish wall, and still, through all his widening
windows, saw no Liana coming down along the pebbly path (which was
impossible, for the very reason that she had been long standing in the
bath-house with her brother), and he began to despair of her appearance,
when the brother suddenly stormed into the above-mentioned fortissimo,
and all the fountains sent up before the moon murmuring wreaths of
sparkling silver. Albano looked out....
Liana stood up there in the glimmer of the moon, behind the fluttering
water. What an apparition! He tore asunder the twigs of the foliage
before his face, and gazed, uncovered and breathless, upon the sacredly
beautiful form! As Grecian gods stand and look unearthly before the
torch, so shone Liana before the moon, overshadowed with the myriad
glancing reflections of the silvery rainbows, and the blest youth saw
irradiated the young, open, still Mary's-brow, upon which no vexation
and no effort had as yet cast a wave,--and the thin, tender,
scarcely-arched line of the eyebrows,--and the face like a perfect
pearl, oval and white,--and the loosely flowing ringlets lying on the
May-flowers over her heart,--and the delicate grace's-proportions,
which, like the white attire, seemed to exalt the form,--and the ideal
stillness of her nature, which made her place, instead of an arm, only a
finger upon the balustrade, as if the Psyche only floated over the
lily-bells of the body, and neither shook nor bowed them,--and the large
blue eyes, which, while the head sank a little, opened upward with such
inexpressible beauty, and seemed to lose themselves in dreams and in
distant plains reflecting the evening-twilight's glow!
Thou too fortunate man!--to whom the only visible goddess, Beauty,
appears so suddenly, in her omnipotence, and attended by all her
heavens! The present, with its shapes, is unknown to thee,--the past
fades away,--the near tones seem to steal from the depth of
distance,--the unearthly apparition overflows and overpowers with
splendor the mortal breast!
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account