"Even to obstinacy," said he, "she pushes her care for her mother. The
last time, when she observed that mother saw her grow pale under the
dance, she immediately ceased. To me alone she shows her whole heart,
and every drop of blood, and all innocent tears therein; especially does
she believe something in respect to the future, which she anxiously
conceals from mother." "She smiled to herself just before she went
away," said Albano, and drew Charles's hand over his eyes, "as if she
saw up there a being from the veiled world." "Didst thou too see that?"
replied Charles. "And then did her lip stir? O friend, God knows what
infatuates her; but this is certain, she firmly believes she is to die
next year." Albano would not let him speak further. Too intensely
excited, he pressed himself to his friend's breast; his heart beat
wildly, and he said: "O brother, remain always my friend!"
They went down. In the apartment which adjoined Liana's they found her
piano-forte open. Now that was just what the Count had missed. In
passion--even in mere fire of the brain--one grasps not so much at the
pen as at the string; and in that state alone does musical fantasying
succeed better than poetic. Albano, thanking, meanwhile, the muse of
sweet sounds that there were forty-four transitions,[137] seated himself
at the keys, with the intention now to beat a musical fire-drum, and
roar like a storm into the still ashes, and drive out a clear,
sparkling swarm of tones. He did it, too, and well enough, and better
and better; but the instrument struggled, rebelled. It was built for a
female hand, and would only speak in female tones, with lute-plaints, as
a woman with a friend of her own sex.
Charles had never heard him play so, and was astonished at such fulness.
But the reason was, the Lector was not there; before certain
persons--and he was one of them--the playing hand freezes, so that one
only labors and lumbers to and fro in a pair of leaden gloves; and,
secondly, before a multitude it is easier playing than before one,
because the latter stands definitely before the soul, the former floats
vaguely. And, besides all that, blessed Albano, thou knowest who hears
thee. The morning air of hope flutters around thee in tones,--the wild
life of youth stalks with vigorous limbs and loud strides up and down
before thee,--the moonlight, undesecrated by any gross earthly light,
hallows the sounding apartment. Liana's last songs lie open before thee,
and the advancing moonshine will let thee read them soon,--and the
nightingale in the mother's neighboring chamber contends with thy tones,
as if summoned by the Tuba to the field.
Public-domain text, read in full here on John Shaqi.
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