When the curtain rose, and Roquairol made that night of forgiveness and
ecstasy pass by again in a still more glowing form than it had actually
had; when this dreamy imitation seemed the first appearance of the
actual reality, how hotly and deeply did he burn himself thereby into
his friend's soul! (Good Albano! This art of being his own _revenant_,
his own ghost, his mock- and mimic-self, and of counterfeiting the
splendid edition of his own life, should have left thee smaller hopes!)
The Count must needs, in this most grave society that ever sate around
him, break out into an unseemly weeping. And why did Charles put
Albano's words, of that memorable night, into the mouth of Liana, so
bewitchingly interesting in her emotion, and thus make his love,
wrought upon by so many charms, grow even to anguish?
The German gentleman himself gave to Liana, that white swan, floating,
tinged with rosy redness, through the evening glow of Phœbus, several
loud, and to the Count annoying signs of approbation. The Minister was
chiefly glad that all this happened in his honor, and that the point of
the last act was still going to throw a very special epigrammatic
laurel-wreath on his crown.
He got the wreath. The pair of children were very favorably criticised
by the Erlangen literary gazette[142] of spectators, and by the
belles-lettres review, and covered over with crowns,--with noble
martyrs' crowns. The German gentleman had and used the public right of
ushering in the Coronation, and the Coronation-car. Base man! why should
thy beetle's-eyes be permitted to creep gnawingly over the holy roses
which emotion and sisterly love plants on Liana's cheeks? But how much
gayer still was the old gentleman,--so much so that he flirted with the
oldest ladies,--when he saw the knight bring out magnificently into full
daylight his interest in Liana, not fantastically or sentimentally, but
by still and steady advances and marked attention, by jokes and glances
and sly addresses, and at last by something decisive! That is to say,
the German gentleman drew the old man into a cabinet, and both came back
out of it vehemently animated.
The lovely Liana, withdrawn into her own heart, fled from the upas-tree
of the laurel away to her comforting mother. Liana had preserved, in the
midst of the stormy mill-races of daily _assemblées_, a low voice and a
delicate ear, and the tumult had driven her inward, and left her almost
shy.
Public-domain text, read in full here on John Shaqi.
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