"Ah, I am afraid in there," said she to Albano; "they are all too
clever, and I am now so stupid!" He found beside the domestic trio the
Princess also, and the little Helena from Lilar, that lovely medallion
of a fine day to his stirred heart. Indescribably was he smitten with
Liana's womanly advances to Rabette, as if he shared her with her. With
courtesy and tenderness, a mildness also, which was without falsehood or
pride, came to the help of the embarrassed playmate, on whose face the
inborn gayety and eloquence of nature now singularly contrasted with her
artificial dumb gravity. Charles, with his ready familiarity, was more
in a condition to entangle than to extricate her; only Liana gave to her
soul and tongue, if only by the embroidery-frame, a free field; Rabette
could write with the embroidering needle, no illuminated and initial
letters, indeed, but still a good running-hand.
She gave--turning her face toward her brother's, in order to pluck
courage therefrom--a clear report of the dangerous road and upsets,
laughing all the while, after the manner of the people when they are
telling their mishaps. Her brother was to her, at the company's expense,
both company and world; upon him alone streamed forth her warmth and
speech. She said she could from her chamber see him "play on the
harpsichord." Liana immediately led both thither. How richly and
sublimely, beyond Rabette's demands upon city-life, was the maidenly
_hospitium_ set out, from the tulip (not a blooming one, but a
work-basket of Liana's,--although every tulip is such a basket for the
finger of spring) even to the piano-forte, of which she, of course, for
the present can use no more than seven treble-keys for half a waltz?
Five moderate trunks of clothes--for therewith she thought to come out,
and show the city that the country too could wear clothes--represented
to him in their well-known flower-pieces and tin bands the old
impressions (_incunabula_) of his earliest days of life; and to-day
every trace of the old season of love refreshed him. She made him look
for his windows, from one of which the Librarian was fixing a hard gaze
on a paving-stone in the street to see how often he could hit it by
spitting.
Public-domain text, read in full here on John Shaqi.
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