But at last Franciscus Albani disturbed the calm that had hitherto
prevailed, by his "Repose during the Flight." While he acted the
dream-interpreter to these picturesque dreams, and Rabette had her eyes
fastened sharply on the Saint Joseph of this picture, sitting beside
Mary, with an open book, Liana said, unluckily, "A fine Albani!" "I
should think not," Rabette whispered; "brother is much more beautiful
than this praying Joseph!" She had confounded Albani with Albano; her
whole picture-gallery lay in the hymn-book, whose hymns she separated
from each other with golden-red saints. The others did not comprehend;
they knew him only as Count of Zesara,--but Liana, sweetly blushing,
flung at Rabette a tenderly reproving glance, and looked, with mute
endurance, more closely at another picture. Never before in Albano,--in
whom the strongest and the tenderest feelings coupled, as the echo makes
thunder louder and music lower,--had the bitter-sweet mingling of love
and pity and shame wrought more warmly, and he could have at once knelt
down before the maiden, and yet have kept silent.
The German gentleman had finished, and said to the men, with a look full
of victory, "He had, however, something more in his case, which bore
away the palm from the Raphaels; and he would beg them to follow him
into the adjoining apartment." On the way, he observed, that few works
were executed with such magnificent freedom and bold abandon. In the
room he unpacked a little bronze Satyr, against whom an overtaken nymph
is defending herself. "Divine!" said Bouverot, and held the group by a
thread, in order not to rub off the rust. "Divine! I set the Satyr
against the Christ!" Few have even a moderate idea of the amazement of
my hero, when he saw the critic set virtue and vice at once at a round
table, without any quarrel for precedency.
With a fiery glance of contempt, he turned away, and wondered that the
Lector remained. It seems to be unknown to him that painting, like
poetry, only in its childhood related to gods and divine service, but
that by and by, when they grew up to a higher stature, they must needs
stride out from this narrow churchyard,--as a chapel[169] was originally
a church with church-music, until both were left out, and the pure music
retained. Bouverot had the regard for pure form in so high a degree,
that not only the smuttiest, most immoral subject, but even the most
pure and devout, could not contaminate his enjoyment; like slate, he
stood the two proofs of heating and freezing, without undergoing any
change.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account