The above-mentioned female pupil of the Knight, the little Countess of
Romeiro, was very beautiful: cold ones called her an angel, and
enthusiastic ones a goddess. Roquairol had none of your Belgic veins,
wherein, as in Saturn, all liquids lie as fixed, frozen bodies, but
African arteries, in which, as in Mercury, melted metals run round. When
the Countess was with his sister, he was always trying, with the common
boldness of boys in high-life, to run his heart, filled with a venous
system of quick matches, upon hers, as a good fireship; but she placed
his sister as a fire-wall before her. Unfortunately she had gone, by
chance, dressed as Werther's Lotta, to this evening's masquerade, and
the splendor of her despotic charms was swallowed up and flashed round
by eyes all darkly glowing behind masks: he took his inner and outer
both off, pressed towards her, and demanded, with some haste--because
she threatened to be off, and with some confidence, which he had won on
the amateur-stage, and with pantomimic passionateness, which on that
stage had always gained him the finest serenade of clapping
hands--demanded nothing just now but reciprocal love. Werther's Lotta
haughtily turned upon him her splendid back, covered with ringlets;
beside himself, he ran home, took Werther's costume and pistol and came
back. Then, with a physiognomical hurricane on his countenance, he
stepped up before her and said, showing the weapon, he would kill
himself here in the hall, if she rejected him. She looked upon him a
little too politely, and asked what he wanted. But Werther, half drunk
with Lotta's charms, with Werther's sorrows, and with punch, after the
fifth or sixth "No!" (being already used to public acting,) before the
whole masquerade, pointed the murderous weapon against himself, pulled
the trigger, but luckily injured only his left ear-flap,--so that
nothing more can be hung on that,--and grazed the side of his head. She
instantly fled, and set out upon her journey, and he fell down,
bleeding, and was carried home.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account