The case was this: For people like myself, country life is the honey
wherein they take the pill of city life. Falterle, on the contrary,
could not worry down the bitter country life without the silvering-over
of city life: thrice every week he ran over to Pestitz, either into the
boxes of the amateur-theatre as dramaturgist, or on the stage itself as
actor. Now, on every such occasion, he took his little part-book out
into the village with him, and there, relying on this rehearsal of the
play, studied his part independently of those of his colleagues; just
as, to this day, every state-servant commits his to memory without a
glance at those of his fellow-performers: hence every one of us consists
of only one faculty, and, as in the Russian hunting-music, knows how to
fife only one tone, and must throw his strength into the pauses. Into
these fragments of theatricals, then, borrowed from Falterle, Albano
entered with a rapture which his master soon sought to increase by
exchanging for these limited sectors of the globe the whole dramatic
world.
The Viennite had long since eulogized before him the suicidal mad-cap
Roquairol as a genius in learning,--and himself as particularly such in
teaching; and now he adduced the proof of it from the great parts which
the mad-cap always played so well. For the rest, it was not his fault
that he did not exceedingly disparage the Minister's son, whom he
envied, not only for his theatrical, but for his erotic achievements.
For the inventively rich Roquairol had with that shot at himself in his
thirteenth year saluted and won the whole female sex, and made himself,
out of a sacrificial victim, priest of sacrifices, and manager of the
amateuress-theatre, attached to the amateur-theatre; whereas the shy,
stupid Falterle, with his still-born fancy, could never bring a charmer
to any other step than the pas retrograde in a minuet, or to anything
more than a setting of the fingers, when he wanted to get himself set in
her heart. But the vain man cannot deny others any praise which is also
his own.
Public-domain text, read in full here on John Shaqi.
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