"The stream of time drives new wheels," said Dian; "yonder lies Raphael
twice buried.[77] How are Chariton and the children doing?" "They are
blooming on," said Albano, but in a sombre tone. "Heavens!" cried Dian,
with all a father's terror, "is it really so?"[78] "Verily, Dian!" said
Albano, softly. "Does Liana," said Dian, "still come often to
Chariton's? And how fares the sweet one?" Albano answered, in a low
tone, "She is dead." "What! dead? Impossible! Froulay's daughter,
Albano? The gold-rose? O speak!" he cried. Albano nodded affirmatively.
"Ah! thou good maiden!" said he, piteously, with tears in his black
eyes, "so friendly, so enchantingly lovely, so fine an artist! But how
did it come to pass? Have you, then, not been acquainted at all with
the lovely child?" "One spring only," said Albano, hurriedly. "My good
Dian, I will now go back to my father, and I can answer no more
questions." "O certainly! But I must learn more," Dian concluded. And
so they climbed silently and speedily over rubbish and torsos of
columns, and neither gave heed to the mighty emotion of the other.
TWENTY-SEVENTH JUBILEE.
St. Peter's.--Rotunda.--Colosseum.--Letter to Schoppe.--The
War.--Gaspard.--The Corsican.--Entanglement with the
Princess.--Sickness.--Gaspard's Brother.--St. Peter's Dome,
and Departure.
104. CYCLE.
Rome, like the creation, is an entire wonder, which gradually
dismembers itself into new wonders, the Colosseum, the Pantheon, St.
Peter's Church, Raphael, &c.
With the passage through the Church of St. Peter the knight began the
fair race through immortality. The Princess let herself be bound by the
tie of art to the circle of the men. As Albano was more smitten with
edifices than with any other work of art, so did he see from afar with
holy awe the long mountain-chain of art, which again bore upon itself
hills; so did he stand before the plain, around which two enormous
colonnades run like Corsos, bearing a people of statues; in the centre
shoots up the obelisk, and on its right and left an eternal fountain,
and from the lofty steps the proud church of the world, inwardly filled
with churches, rearing upon itself a temple toward heaven, looks down
upon the earth. But how enormously, as they drew near, had its columns
and its rocky wall mounted up and flown away from the vision!
Public-domain text, read in full here on John Shaqi.
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