It was a fresh, blue, summer day when Albano went to his old Blumenbühl, without knowing that he did so precisely on the St. James's day, or paternal birthday, which he had once, in childhood, spent in such singular preludes of his life. In the old gardens and on the old heights round about, even over to Lilar's wood, lay everywhere, even now, the young, glistening dew of childhood, not yet dried up by the western sun; many tear-drops, too, stood among the drops of dew on the flowers; but his fresh, healing spirit was on its guard against effeminately floating away into soft transport, that Lethe of the present. In the village he was struck with the sight of a horse whom they were shoeing, for, by the caparison and all, he recognized it as Roquairol's festive steed. He introduced a festival into a festival, when he entered the noisy paternal apartment, full of birthday electors, blooming, fully developed, erect, a confirmed man, with determined look and gait. Rabette screamed out; Roquairol cried, "Aha!" and the old teacher Wehmeier, "God and my master!" and his childhood's angels, the parents, embraced him just as ever, and out of Albina's blue eyes ran the bright drops. But a change had come over the youth of the others, compared with his. Rabette's countenance, the once full cheeks and blooming lips, had fallen in, and were overlaid and overgrown with the white veil, and she had two gray tears instead of eyes ; yet she smiled a great deal. Like his own Gorgon-head, Roquairol's face appeared pale and hard, as if chiselled on his gravestone; only naked piers stood in the water,--the light arches of the beautiful bridge were gone. Albina and Rabette looked up with a steady gaze at Albano's blooming figure; he seemed to be an Italian growth, a Neapolitan nerved by daily bathing in the gulf. Roquairol had his part immediately at command more easily than Albano his truth; he demeaned himself with the highest courteousness toward one who had broken in two for him the magic wand of life and thrown it away as a pair of beggar's sticks,--kissed him on the cheek, kept up the lightest, often a French tone of conversation, requested the latest intelligence about Italy, and retailed in turn the most edifying news from the country, as well, he said, as he could muster it up for a man with a Hesperian standard of measurement. He related, also, "that the Knight's brother had been there,--a man full of talent, especially the mimetic and that sort, and of the most singularly intense fancy with the highest coldness of character, though perhaps not always sufficiently true. For my tragedy," added he, "he would be worth his weight in gold. Dear brother, hold yourself forthwith as invited on the occasion. The play is called The Tragedian; I give it soon. Rabette is acquainted with it." She nodded. Albano glowed, but was silent. Among all parts, the Captain succeeded most perfectly in that of a