of life, and again sends out the drop through the pipe, blown up into a
glimmering little world-globe of colors?
"It is full midnight; I must now go to church, to hold my
vesper-devotions.
"Three weeks later.
"Nota Bene!
"I had been, since thy departure, in a manner damnably unlucky until
about one o'clock this morning. At two o'clock I took up my resolution;
I have just (at five) taken the pen; and at six, when I have drunken
myself full and written myself empty, I take my travelling cane, the
point of which, after two months, shall stand sticking in the Pyrenees.
O heavens! there must have been something thorny this long time
standing by me, which I so long took for a hedgehog, whereas it is the
best musical barrel full of pins, out of which I can get nothing less
(I turned it a few hours ago) than the best arrangement of flute-pipes,
unadulterated music of the spheres, and rotatory music for the
bravura-airs of the three men in the furnace, a whole living
Vaucanson's wooden flute-player, and unheard-of things wherewith the
machine blows till it bursts--not itself, but certain knaves, whereof
need I particularly name the Baldhead?
"O listen, youth! It concerns thee. I will now, for thy sake, be what
the world calls frank, namely, shameless, for verily I had rather
uncover my haunch than my heart, and am less red when I do so.
"There was, once on a time, in old times, a young time, one full of
fire and roses, when old Schoppe, for his part, was also young enough;
when the alert, contriving bird easily nosed out where the hare lay,
and the female hare, too; when the man could still put himself on good
terms with the well-known four quarters of the world; or else, just as
easily as a steer, thrust with his horn at every fly; when he (now a
silver pheasant of cool times) still strode or flew up and down through
all Italy as a warm gold pheasant, perched now on Buanorotti's Moses,
now on the Colosseum, now on Ætna, now on the dome of St. Peter's, and
crowed for joy, flapped his wings, and soared toward heaven.
"It was at this time that the still unpicked storm-bird, hovering one
day to and fro through the waterfalls of Tivoli, preciously blest, saw
there occasionally, suddenly, overhead, in Vesta's temple, for the
first time, nothing more than--the Princess di Lauria, afterward, I
conjecture, carried off by a Knight of the Fleece, as his golden
fleece. To see her,--to transform one's self from a storm-bird into a
cock-pigeon to the chariot of Venus; to tear one's self loose from team
and bridle; to fly before that goddess; to float round her in narrower
and narrower circles,--all this was not one thing, but three things. I
had first to grow and paint myself up into a bird of Paradise, in order
to fly into a Paradise; that is to say, I had to learn painting, in
order to be permitted her presence.
Public-domain text, read in full here on John Shaqi.
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