left hand and the crayon in her right, sat behind there. He pressed,
according to the prescription, the ring on the left middle finger; the
form stood up, with the rolling of an inward machinery, stepped out
into the apartment, stopped at the opposite wall, drew a line down
thereon with the crayon in its hand. He drew up the border of the
wall-hanging; the perspective-glass and the waxen impression of the
coffin-key lay in a compartment behind there. Now he pressed the
ring-finger; the figure set the crayon upon the souvenir, and wrote,
"Son, go into the princely vault in the Blumenbühl church, and open the
coffin of the Princess Eleonore, and thou wilt find the black slab."
When that was done (the Knight had told Albano), if the marble slab,
nevertheless, was not found in the coffin, then he must press the third
ring on the little finger, whereupon something would appear which he
himself did not foreknow. Schoppe tried the pressure of this finger
before going into the Blumenbühl Church,--the figure remained
standing,--but something began to roll inside,--the arms stretched
themselves out and fell down,--wheels rolled out,--at last the whole
form dismembered itself by a mechanical suicide, and there appeared an
old head of wax.
Here Schoppe went off, to run to Blumenbühl and fetch out of the vault
the light required for this night-piece. Though it was noonday, church
and vault were left open,--perhaps because they were making room for
the new cavern-guest who was just dying. Without stopping to transform
the waxen key into an iron one, he violently broke open the coffin with
an iron tool, and quickly snatched out the marble slab and Albano's
portrait. He broke the slab behind a bush. When he read the
superscription, he examined no farther; he hastened to Albano's house
to deliver all. But the two were simultaneously seeking each other in
vain. Meanwhile he lighted upon the honest Wehrfritz, through whom
alone he could despatch such important booty; he himself was now on the
scent after his deadly foe, the Spaniard, and no power could drive him
off the hunting-ground of his wrath.
Public-domain text, read in full here on John Shaqi.
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