New England -- Social life and customs -- Fiction; Short stories
"Dilly," said he, much moved, "you'll have a good time from this out,
if ever a woman did. You'll keep house in a brick block, where the cars
run by your door, and you can hire two girls."
"Oh, my!" breathed Dilly. A quick look of trouble darkened her face, as
a shadow sweeps across the field.
"What is it?" asked Jethro, in some alarm. "Don't you like what I
said?"
Dilly smiled, though her eyes were still apprehensive.
"It ain't that," she answered slowly, striving in her turn to be kind.
"Only I guess I never happened to think before just how 't would be. I
never spec'lated much on keepin' house."
"But somebody'd have to keep it," said Jethro good-naturedly, smiling
on her. "We can get good help. You'll like to have a real home table,
and you can invite company every day, if you say so. I never was close,
Dilly,--you know that. I sha'n't make you account for things."
Dilly got up, and, still holding her papers in her apron, walked
swiftly to the window. There she stood, a moment, looking out into the
orchard, where the grass lay tangled under the neglected, happy trees.
Her eyes traveled mechanically from one to another. She knew them all.
That was the "sopsyvine," its red fruitage fast coming on; there was
the Porter she had seen her father graft; and down in the corner grew
the August sweet. Life out there looked so still and sane and homely.
She knew no city streets,--yet the thought of them sounded like a
pursuit. She turned about, and came back to her chair.
"I guess I never dreamt how you lived, Jethro," she said gently. "But
it don't make no matter. You're contented with it."
"I ain't a rich man," said Jethro, with some quiet pride; "but I've got
enough. Yes, I like my business; and city life suits me. You'll fall in
with it, too."
Then silence settled between them; but that never troubled Dilly. She
was used to long musings on her walks to and from her patients, and in
her watching beside their beds. Conversation seemed to her a very
spurious thing when there is nothing to say.
"What you thinking about?" he asked suddenly.
Dilly looked up at him with her bright, truth-telling glance. "I was
thinkin'," she answered, with a clarity never ruthless, because it was
so sweet,--"I was thinkin' you make me homesick, somehow or another."
Jethro looked at her doubtfully, and then, as she smiled at him, he
smiled also.
"I don't believe it's me," he said, confidently. "It's because you're
going over things here. It's the old house."
"Maybe," said Dilly, nodding and tying her last bundle of papers. "But
I don't know. I never had quite such feelin's before. It's the nearest
to bein' afraid of anything I've come acrost. I guess I shall have to
run out into the lot an' take my bearin's."
Jethro got up, put his hands in his pockets, and walked about the room.
He was very gentle, but he did at heart cherish the masculine theory
that the unusual in woman is never to be judged by rules.
Public-domain text, read in full here on John Shaqi.
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