Virginia -- History -- Colonial period, ca. 1600-1775 -- Fiction
The sun was yet to rise when we reached a hollow amongst the low red
hills. Above us were the three long houses in which they keep the image
of Okee and the mummies of their kings. These temples faced the crimson
east, and the mist was yet about them. Hideous priests, painted over
with strange devices, the stuffed skins of snakes knotted about their
heads, in their hands great rattles which they shook vehemently, rushed
through the doors and down the bank to meet us, and began to dance
around us, contorting their bodies, throwing up their arms, and making a
hellish noise. Diccon stared at them, shrugged his shoulders, and with
a grunt of contempt sat down upon a fallen tree to watch the enemy's
manoeuvres.
The place was a natural amphitheatre, well fitted for a spectacle. Those
Indians who could not crowd into the narrow level spread themselves over
the rising ground, and looked down with fierce laughter upon the driving
of the stakes which the young men brought. The women and children
scattered into the woods beyond the cleft between the hills, and
returned bearing great armfuls of dry branches. The hollow rang to the
exultation of the playgoers. Taunting laughter, cries of savage triumph,
the shaking of the rattles, and the furious beating of two great drums
combined to make a clamor deafening to stupor. And above the hollow was
the angry reddening of the heavens, and the white mist curling up like
smoke.
I sat down beside Diccon on the log. Beneath it there were growing
tufts of a pale blue, slender-stemmed flower. I plucked a handful of the
blossoms, and thought how blue they would look against the whiteness of
her hand; then dropped them in a sudden shame that in that hour I was so
little steadfast to things which were not of earth. I did not speak to
Diccon, nor he to me. There seemed no need of speech. In the pandemonium
to which the world had narrowed, the one familiar, matter-of-course
thing was that he and I were to die together.
The stakes were in the ground and painted red, the wood properly
arranged. The Indian woman who held the torch that was to light the pile
ran past us, whirling the wood around her head to make it blaze more
fiercely. As she went by she lowered the brand and slowly dragged it
across my wrists. The beating of the drums suddenly ceased, and the
loud voices died away. To Indians no music is so sweet as the cry of an
enemy; if they have wrung it from a brave man who has striven to endure,
so much the better. They were very still now, because they would not
lose so much as a drawing in of the breath.
Seeing that they were coming for us, Diccon and I rose to await them.
When they were nearly upon us I turned to him and held out my hand.
Public-domain text, read in full here on John Shaqi.
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