Virginia -- History -- Colonial period, ca. 1600-1775 -- Fiction
The Indian girls danced more and more swiftly, and their song changed,
becoming gay and shrill and sweet. Higher and higher rang the notes,
faster and faster moved the dark limbs; then, quite suddenly, song and
motion ceased together. They who had danced with the abandonment of wild
priestesses to some wild god were again but shy brown Indian maids who
went and set them meekly down upon the grass beneath the trees. From the
darkness now came a burst of savage cries only less appalling than the
war whoop itself. In a moment the men of the village had rushed from the
shadow of the trees into the broad, firelit space before us. Now they
circled around us, now around the fire; now each man danced and stamped
and muttered to himself. For the most part they were painted red, but
some were white from head to heel,--statues come to life,--while others
had first oiled their bodies, then plastered them over with small
bright-colored feathers. The tall headdresses made giants of them all;
as they leaped and danced in the glare of the fire they had a fiendish
look. They sang, too, but the air was rude, and broken by dreadful
cries. Out of a hut behind us burst two or three priests, the conjurer,
and a score or more of old men. They had Indian drums upon which
they beat furiously, and long pipes made of reeds which gave forth no
uncertain sound. Fixed upon a pole and borne high above them was the
image of their Okee, a hideous thing of stuffed skins and rattling
chains of copper. When they had joined themselves to the throng in the
firelight the clamor became deafening. Some one piled on more logs,
and the place grew light as day. Opechancanough was not there, nor
Nantauquas.
Diccon and I watched that uncouth spectacle, that Virginian masque, as
we had watched many another one, with disgust and weariness. It would
last, we knew, for the better part of the night. It was in our honor,
and for a while we must stay and testify our pleasure; but after a time,
when they had sung and danced themselves into oblivion of our presence,
we might retire, and leave the very old men, the women, and the children
sole spectators. We waited for that relief with impatience, though we
showed it not to those who pressed about us.
Time passed, and the noise deepened and the dancing became more frantic.
The dancers struck at one another as they leaped and whirled, the sweat
rolled from their bodies, and from their lips came hoarse, animal-like
cries. The fire, ever freshly fed, roared and crackled, mocking the
silent stars. The pines were bronze-red, the woods beyond a dead black.
All noises of marsh and forest were lost in the scream of the pipes, the
wild yelling, and the beating of the drums.
Public-domain text, read in full here on John Shaqi.
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