Ex-convicts -- Fiction; Love stories; New York (N.Y.) -- Social conditions -- Fiction; Self-sacrifice -- Fiction
So, working hard, the winter softened into spring, the spring warmed
into summer, the summer sharpened into early autumn--and the book was
done. He immediately sent it, as he had promised, to Helen, who was then
at one of the family's country places. Three days afterward there came a
note from her. It told how the story had gripped her, and how it had
gripped her Uncle Henry, who was visiting them--how big it was just as a
story--how splendid it was in purpose; it told what a great promise the
book was for his future; and finally it told that she had sent the
manuscript to her publisher friend.
But the flames of enthusiasm enkindled by this note sank and died away;
and he was possessed by the soul-chilling reaction, the utter disbelief
in what one has done, that so often follows the completion of a
sustained imaginative task. His people were wooden, their talk wooden,
their action wooden, and the wires that were their vital force were
visible to the dullest eye. Helen, he told himself, had judged his work
with the leniency of a friend for a friend. Hers was not a critical
estimate. He knew that the publisher's answer, when it came after the
lapse of a month or two months, would be the formal return of his
manuscript. Success meant too much to him to be possible--his promotion
to more pleasant work, a rise in the world's opinion, the partial
repayment of his debt, a higher place in Helen's regard, the beginning
of his dreamed-of part in saving the human waste.
No, these things were not for him. He had failed too often with his pen
for success to come at last.
CHAPTER VIII
ROGERS MAKES AN OFFER
The October day was sinking to its close as David, who was walking
southward through Broadway, came to a pause at Thirty-fourth Street to
wait till a passage should break through the vortex of cabs, trucks, and
street cars, created here by the crossing of three counter-currents of
traffic.
As he stood waiting he saw a woman in disarranged dress, about whom
there instantly seemed to be a vaguely familiar air, step from the crowd
and walk unsteadily into the turbulence of vehicles. A policeman called
a sharp warning to her, but she went on, and the next second the
shoulder of a horse sent her to the pavement, and only the prompt
backward jerking of the driver saved her from the horse's feet. The
policeman dragged her out of danger, and David joined the curious group
that ringed the pair.
"That'll be your finish some day if you don't leave the bottle alone,"
he heard the policeman say severely.
Her answer was a reckless, half-fearful laugh. Her voice roused again in
David the sense of vague familiarity. Presently she turned her face. It
was the face of Lillian Drew.
Public-domain text, read in full here on John Shaqi.
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