The sheds are built in pairs, standing side by side, and on a plan which has brought each pair on the circumference of a circle two kilometres in diameter. The chord of the arc drawn from one pair of sheds to the next in sequence is a kilometre in length, while the same distance separates each pair on the circumference from the huge revolving shed in the centre of the circle. The whole plan has something of the mystic symmetry of an ancient temple of the sun. Of the half-dozen pairs of sheds necessary to complete the circle, four had been constructed and were in use. Each shed was built to house two airships, or four for the pair. This gave a capacity of sixteen Zeppelins for the four pairs of sheds, while the two housed in the revolving shed in the centre brought the total capacity of the station up to eighteen--a larger number, I believe, than were ever over England at one time. Scarcely less impressive than the immensity of the sheds and the broad conception of the general plan of the station was the solidity of construction. Everything, from the quarters of the men and the officers to the hangars themselves, seemed built for all time, and to play its part in the fulfilment of some far-reaching plan. Costly and scarce as asphalt must have been in Germany, the many miles of roads connecting the various sheds were laid deep with it, and, as I had a chance to see where repairs were going on, on a heavy base of concrete. The sheds were steel-framed, concrete-floored, and with pressed asbestos sheet figuring extensively in their sides. All the daylight admitted (as we saw presently) filtered through great panes of yellow glass in the roof, shutting out the ultra-violet rays of the sun, which had been found to cause airship fabric to deteriorate rapidly. The barracks of the men were of brick and concrete, and were built with no less regard for appearance than utility. So, too, the officers' quarters and the Casino, and the large and comfortable-looking houses for married officers I have already mentioned. All had been built very recently, many in the by no means uneffective "New Art" style, to the simple solidity of which the Germans seemed to have turned in reaction from the Gothic. Beyond all doubt Germany was planning years ahead with Nordholz, both as to war and peace service. They were quite frank in speaking of the ambitions they still have in respect of the latter, and (from casual remarks dropped once or twice by officers) I should be very much surprised if their plans for developing the Zeppelin as a super-war machine have been entirely shelved.