To-morrow and to-morrow ... a novelMcKenna, Stephen
History
To-morrow and to-morrow ... a novel
McKenna, Stephen
Great Britain -- History -- George V, 1910-1936 -- Fiction; Man-woman relationships -- Fiction; Spouses -- Fiction
“You will make it inevitable,” said Mr. Justice Maitland, “if you let
the last war go unpunished. No one will deny that the Germans broke a
treaty, that they robbed, tortured, violated and murdered, not in the
heat of fighting but as part of a terrorizing campaign ordered from
headquarters. If acts like these go unpunished, every nation will know
that it can take ‘frightfulness’ as its starting-point. Rape and
mutilation will become sanctified usages of war. There will be a
precedent.”
“That’s unanswerable,” I told the judge. “But, if this war proves
anything, it proves that war doesn’t pay. I want to make that the great
contribution of this war to history. If we impose a peace so unendurable
that even war is no worse . . .”
Maitland interrupted me with a smiling head-shake:
“I have to try murderers in the course of my duties. Their state would
be no better than that of their victims, if vendettas were permitted.
You might say truly enough that murder doesn’t pay. I should be sorry to
see the death-penalty abolished on that reasoning.”
“If you could hang every German,” I said, as I left to dress for the
opera, “I might accept your argument. As it is, a punitive peace will
set them thinking of revenge; and, the moment they’re strong enough,
they’ll take it.”
“A good reason for keeping them weak,” said Carstairs, “which—quite
rightly—is all Clemenceau cares about.”
I might have multiplied, almost to infinity, the number of similar
opinions, held by the most dissimilar people. I heard them at the club,
I was inundated by them at my office and I wrestled with them at
Barbara’s parties.
“I wonder whether Bertrand thinks we’re making any headway?,” I asked
that night at dinner, after venting my despondency on my wife.
I am not sure whether she heard me; her only answer was to look at her
watch and to ask which opera was being played.
“_Louise?_” she repeated. “Then we can miss the first two acts. I
suppose you wouldn’t care to go alone?”
“Aren’t you feeling up to it?,” I asked.
Barbara turned her back on me and busied herself with the wad of her
cigarette-holder:
“Oh, I don’t know! Yes, I’m all right! And, anyway, I shan’t do any good
. . . I don’t know what I’m talking about!,” she cried with sudden loss
of control. “I’m going to lie down till we start.”
“I’ll take you up,” I said.
“No!,” she answered, with what I can only call a suppressed scream.
Public-domain text, read in full here on John Shaqi.
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