Toilers of Babylon: A NovelFarjeon, B. L. (Benjamin Leopold)
General
Toilers of Babylon: A Novel
Farjeon, B. L. (Benjamin Leopold)
Inheritance and succession -- Fiction
"Yes; I forgot. The fault was mine." He looked at Mr. Manners, but the
contractor's eyes were averted. Not by word or motion had he denoted
that he had been an interested listener to what had passed. "Nothing
can be decided in the absence of my son, and you must not suppose that
I shall condemn him unheard. What reparation can be made--" He could
not finish the sentence; his agitation was so great that he scarcely
knew what he was saying.
"You would not think of offering us money," said Mr. Parkinson, in a
tone of deep sternness.
"No, no, of course not. And yet--but I can say no more at present.
Have you the portrait with you?"
"Yes, I brought it, expecting you to ask to see it."
He handed it to Mr. Hollingworth, who, the moment he saw it, gave
utterance to a cry of joyful surprise. It was the cry of a man who had
been suddenly and unexpectedly released from unendurable torture.
"You are not mistaken?" he exclaimed. "This is the picture you found
in your daughter's box?"
"It is," replied Mr. Parkinson, gazing suspiciously at Mr.
Hollingworth. "Your son's name is written on the back."
"I see it, in your daughter's handwriting." Mr. Parkinson could not
understand the meaning of another strange expression in Mr.
Hollingworth's face as that gentleman raised his eyes from the picture
and partly turned to the contractor. "You are satisfied that this is
the portrait of the--the gentleman who has wronged your daughter?"
"She told me it was, and I am satisfied."
"You lift a weight from my heart. Mr. Parkinson, this is not the
portrait of my son, nor of any member of my family."
"I'll not take your word for it," cried Mr. Parkinson, taking, with
some roughness, the picture from Mr. Hollingworth. "Tell me, sir,
you," he said, addressing Mr. Manners, "whether he speaks the truth."
Before Mr. Hollingworth could prevent him he thrust the picture into
Mr. Manners's hand, who, gazing upon it, recognized the likeness of
his nephew, Mark Inglefield. Mr. Manners and Mr. Hollingworth
exchanged meaning glances.
"My friend speaks truly," said Mr. Manners, "and you might have
believed him without appealing to me. This is not his son."
"What infamous plot is here?" cried Mr. Parkinson.
"None of our making, Mr. Parkinson," said Mr. Hollingworth. "With all
my heart I sympathize with you."
"I want none of your sympathy," said Mr. Parkinson, "I want justice,
and I will have it. Whoever this man is, I will drag him into the
light." In his passion he turned from one to the other with furious
looks.
"You cannot blame the innocent," said Mr. Hollingworth, pointing to a
picture on the wall. "That is my son, Mr. Parkinson. You can trace no
resemblance between the portraits."
"No, they are not the same men. What is the meaning of this mystery?
It shall not remain a mystery long--I swear it!"
Public-domain text, read in full here on John Shaqi.
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