Toilers of Babylon: A NovelFarjeon, B. L. (Benjamin Leopold)
General
Toilers of Babylon: A Novel
Farjeon, B. L. (Benjamin Leopold)
Inheritance and succession -- Fiction
"Yes." Almost upon the utterance of the word there came to Mark
Inglefield the recollection of the estrangement between Mr. Manners
and his only child; and now there occurred to him that behind this
story of Mary Parkinson there lay something which might be of almost
equal consequence to his prospects. All the cunning forces of his
nature took array within him, and stood on the alert for the
protection of their wily master. The affair was beginning to assume a
more serious aspect. Well, he was prepared to battle with it.
"I am pleased to hear your opinion, Inglefield," said Mr. Manners; "it
coincides with mine." ("I was right," thought Inglefield.) "The
daughter, however," pursued Mr. Manners, "again in her home, was most
unhappy, from a cause which her father had not suspected. He set a
watch upon her, to discover the cause of her unhappiness, and soon
found that he was threatened by another disgrace. Maddened by this
discovery, he questioned his daughter, and pressed her to give him the
name of her betrayer. She refused." ("Good girl!" thought Mark
Inglefield; "stanch girl! I am safe.") "Mr. Parkinson was not the kind
of man, with this additional disgrace hanging over him, to rest
contented with the refusal, and he adopted the extreme measure of
breaking open his daughter's box, in which he found the portrait of a
man, a stranger to him. On the back of this portrait a name was
written." (Mark Inglefield smiled placidly. "I never gave her a
portrait of myself," he thought, "though she begged often for one. Nor
has she a scrap of my writing to bring against me. You were ever
prudent, Mark. You will get over this difficulty, have no fear.") Mr.
Manners had observed the placid smile, but he made no comment on it.
"It happened that the name written on the back of the picture has just
been brought into prominence, and with this double clew in his
possession, Mr. Parkinson sought, and after some difficulty obtained,
an interview with Mr. Hollingworth, in which he told the story I have
narrated to you. Are you curious to learn the reason of his desire to
speak with Mr. Hollingworth?"
"It would be strange," said Mark Inglefield, "if I were not interested
in anything concerning a family with which I hope to be soon connected
by marriage."
"Mr. Parkinson accused Mr. Hollingworth's son, Richard, who has just
won his election, of being Mary Parkinson's betrayer. Shocked at the
charge, Mr. Hollingworth demanded some better proof than Mr.
Parkinson's bare word, and the wronged father produced it. He handed
the portrait he had found in his daughter's box to Mr. Hollingworth,
and stated how it had come into his possession. The name written on
the back of the photograph was Richard Hollingworth."
"In whose writing?" asked Mark Inglefield.
"In Mary Parkinson's. But the portrait was not that of Richard
Hollingworth."
"Whose then, sir?"
"Yours."
Mark Inglefield started, and could have lashed himself for this
exhibition of surprise.
Public-domain text, read in full here on John Shaqi.
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