Toilers of Babylon: A NovelFarjeon, B. L. (Benjamin Leopold)
General
Toilers of Babylon: A Novel
Farjeon, B. L. (Benjamin Leopold)
Inheritance and succession -- Fiction
"Serious and sweet," said Kingsley; "remember that. We must not have
one without the other. The fact is, I dare say, that I never thought
of what I was to be, because I did not see the necessity of troubling
myself about it. My father was a rich man; everybody spoke of him as a
millionaire, and spoke the truth for once; and all my college chums
envied me my luck. But for that it may be that I should have applied
myself, and ripened into a poet or a painter, or something that would
come in useful now. Nothing very superior, perhaps, in any line,
because, my dear, you will be surprised when I confess to you that I
do not regard myself as an out-of-the-way brilliant fellow. But
there's no telling, is there, what may come out of a fellow if he puts
his shoulder to the wheel?"
"Something good would be sure to come out of such a head as yours,
Kingsley," said Nansie.
"You _will_ flatter me, my dear; but, after all, you may be right.
There are no end of clever men who were dull boys at school, and
thought to have nothing in them; though, now I think of it, I was not
at all a dull boy--rather bright, indeed, really, Nansie--and the fact
that dullards often prove themselves geniuses is rather against me. Do
you know what I've been told? That there is a lot of stuff in me, but
that I lack application; that is, the power of sticking long to one
thing. That is true, perhaps, and it is that quality, or failing, or
what you like, that makes me fly off at a tangent in the way I am in
the habit of doing. I've stuck pretty close to this conversation,
haven't I?"
"Yes, dear."
"Notwithstanding that there are a thousand things to distract my
attention. For instance, thoughts. Such as this: that it would be a
happy lot if you and I could wander forever side by side through such
lovely scenes as this, and in a night so sweet and beautiful."
"But that could not be, Kingsley, dear, and I am not sure whether it
would be a happy lot."
"You surprise me, Nansie. Not a happy lot! Our being always together,
and always without worry or trouble!"
"In course of time," said Nansie, a slight contraction of her eyelids
denoting that she was thinking of what she was saying, "we should grow
so used to each other that we should become in each other's eyes
little better than animated statues. The monotony of its being always
summer, of everything around us being always beautiful, would so weigh
upon us that we should lose all sense of the beautiful, and should not
be grateful for the sweet air, as we are now, Kingsley. We grow
indifferent to things to which we are regularly accustomed. Change
produces beauty. You are making me think, you see, and I am almost
pretending to be wise."
"Go on, Nansie. I want you to finish, and when you have done I have
something to say on an observation you have made, change produces
beauty. Now that is a theme profound."
Public-domain text, read in full here on John Shaqi.
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