Tokyo to Tijuana: Gabriele Departing AmericaSills, Steven David Justin
General
Tokyo to Tijuana: Gabriele Departing America
Sills, Steven David Justin
Fiction
She cut the list of maudlin mottoes into myriad strips; put paper clips around
each strip, and then attached each one around a tarot card. She lit the four or
five candles that were on the kitchen table; shuffled the deck; drank four cans
of beer quickly; and then mumbled a bitching mumble about having to prostitute
herself. With her visual perception more mobile and her brain in a buzz, she
unevenly laid out the whole of this partial motto-mottled deck in a larger than
Celtic layout beginning with the cards patterned out as a cross; meditated on
each motto; and then drew her designs. The first motto that she encountered was
"Happy Birthday To A Grandson Who Has A Wonderful Personality, Good Looks And A
Fine Character. I Guess There Are Some Things That Are Just Hereditary."
Suddenly an image flashed through her mind and she began to draw. For a moment
she was completely stunned by what she was drawing, and completely incredulous
that this was coming from her mind.
As she became aware of bearing this unique, full, and outrageous creation so
effortlessly, she fell into hysterical laughter at the sketch of an old woman
in a party hat, who smiles on sweetly as her grandson, abandoning all of the
packages surrounding him, lifts her skirt curiously. But then for the
non-pornographic version she made a young man with a girlfriend bound
hand-in-hand and a second hand reaching out to his grandmother who stands near
the birthday cake. By drawing this second version she was providing Hallmark
with sentimental froth for those who did not see that humans were replaceable
in one's own life and that the whole of a life, itself, was more froth splashed
up in the washing of time. On a deeper albeit subliminal level she was stating
that one could go forward in time and still retain childish affections. She
knew it was not so. Only minds like Parmenides and Plato (a mind that she had)
could conceptualize changeless eternity within the entity. Such unique
individuals did not need to reminisce about the past. She never kept a
photograph album apart from her corpus of sketches. She didn't want to be one
of the masses. They were like school children trying to find their loose-leaf
homework that had been taken from their hands by the winds and scattered behind
them.
Public-domain text, read in full here on John Shaqi.
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