Tokyo to Tijuana: Gabriele Departing AmericaSills, Steven David Justin
General
Tokyo to Tijuana: Gabriele Departing America
Sills, Steven David Justin
Fiction
"Who is this mother fucker?" she mumbled to herself. Then she knew. Here was
MF, the vice principal of her son, her former client, shouted at hysterically
by the mother of the dead little girl. Gabriele held the woman who was deranged
in bereavement and sunk into gravel and dust of the trailer park. She was her
bulwark.
"So, he will be her lover -- this MF?" scoffed Saeng Seob in their bed upon
hearing his last chapter.
Sang Huin regretted having begrudgingly read him this chapter. He only read
parts of the manuscript when asked to do so. Seong Seob could only understand
the superficial aspects of the story at best and he only asked to hear those
bits of it read out when Sang Huin seemed to preoccupied with writing it. Sang
Huin supposed it gave them something in common. "Maybe. I don't know, really,"
he said evasively. He removed his computer to a table that was adjacent to the
bed and picked up a magazine. His eyes began to peruse the photographs of male
models in Gentleman's Quarterly who if known and involved in his life would
pull him out of his numb abyss of insipid days into the vibrancy of desire in
nightly embraces.
"And become pregnant?"
"I don't think so. I don't know at this point." He yawned. "I wouldn't know
what to do with that. I need some believable drama in it." And yet he felt that
there was no drama within his own life. Giving private lessons to children he
didn't particularly care for, his days were missionless clutter that exhausted
what little extroverted characteristics were within him; and coming home to
Seong Seob with a lack of sexual variety in that domain was flattening him in
the malaise of inordinate boredom. He was certain that there was no drama in
his life; and yet paradoxically he knew that drama was inherent even in rocks
that weathered away in time. Drama was change and it was in all things. If
drama were in the rocks, it too was there in a simple life. His was laden in
resentment over the idea of returning home to this blind lover who couldn't see
that the two of them living together was inhibiting the progress of his
manuscript. "Any ideas," he asked.
"She could have a baby and then throw him in a well."
"Why? What well? I don't want to write unbelievable melodrama."
"It's not unbelievable. It happened?"
"Huh?"
Public-domain text, read in full here on John Shaqi.
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