Tokyo to Tijuana: Gabriele Departing AmericaSills, Steven David Justin
General
Tokyo to Tijuana: Gabriele Departing America
Sills, Steven David Justin
Fiction
She wasn't sure who was to blame. Perhaps it was fate itself. She parsed this
concept of fate. She asked herself what it was and it seemed to her that in
most situations it was the selfishness of myriad individuals who, together at a
convergence, unintentionally brought about another person's harm. She rued over
the unfairness of those who thrived for a time and those who seemed bound to
perish from their inception. She could become engrossed in her own
quasi-pleasant little world and not think about the bigger picture. By
comparison to many others suffering from starvation, disease, war, and menial
labor her life was that of a contumacious child who refused to leave the
amusement park for fear of no longer having such a dizzy perspective of it all.
She could become a bit religious (anything from a witch to a Christian) and
further the vertigo. Within the lotusland of America, so removed from intense
pain and hunger, she could hide to have a brighter perspective where some god
or another was still keeping the whole creation, if not each and every
individual, safely in his pocket. She did not, however, want self-deception. As
much as she was able to do so, she wanted to know reality. Justice was equity
but equity was not in the natural order and so the natural order was unjust.
What justice there was existed as the creation of man; and so, in ways, society
was more righteous than the natural order.
A day before the funeral she could sense a malaise so palpable it seemed to
flatten her under its foot like a bug. While her Adagio was at school (if he
were indeed hers, for she doubted the tenet of people belonging to each other
as it was action and clutter of small earthly creatures who needed to fill
their time and the vaccum of their minds no differently than her son and this
Rick when they had played with a soccer ball, plastic and air, to gain a
connection that bypassed one's lonely domain), she went into the bathroom. She
stared at the mountain of his and her clothing beside the washer, which she had
crowded into the stall of her shower. The molecules of their stink seemed to
bang against each other in the musical vibrations of Eric Satie's musical
composition, Gymnopedies; and with the dead heap of morose and musical laundry,
her lethargy, and the horror of being a domesticated woman as all womanly
slaves since the beginning of time, she couldn't bring herself to do the
laundry.
Public-domain text, read in full here on John Shaqi.
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