Tokyo to Tijuana: Gabriele Departing AmericaSills, Steven David Justin
General
Tokyo to Tijuana: Gabriele Departing America
Sills, Steven David Justin
Fiction
"I do. My nephew does that all the time, you know, squeaking his tennis shoes.
You can scold him but he doesn't stop it. Squeaking tennis shoes, playing with
balls all day and most of the night, running around -- I think motion gives him
and all boys self-confidence."
"So this kid is squeaking -- "
"To prove to himself that he exists."
"Yes; but if a boy never stands still -- and this one would annoy virtually
anyone he encounters with feet like fingernails on a blackboard -- he will
never think beyond his own little movements in the movements and changes of
this world. Furthermore he'll never conceptualize permanence and truth and his
ideas will be myopic and short term. Even if there aren't solid Platonic ideas
out in Never- Never land and all ideas are just attempts at understanding what
passes through the senses, standing back and contemplating life at least allows
a person to think about the various perspectives of an issue before making a
decision. It improves the ability to make good decisions. My theory is that for
every twenty minutes of inordinate movement that a boy or a teenage boy carries
out he should be put in shackles and fetters in a closet for the other forty."
He smiled admiringly at her words despite not understanding many of them.
She simplified her flurry of words. "Maybe movement gives a boy self-confidence
that he exists but unless he is put in chains and kept in a closet half the
day, he will think that there is nothing else beyond movement."
"Is there?" he asked.
"I don't know," she confessed.
"Do you do that to your son -- put him in chains?" He chuckled.
"Coming soon," she kidded. "Aren't I right to contain males and movement?" she
nudged him with her fist and then tucked his hand into her own.
"As our Russian poet, Alexander Pushkin says it -- if I can quote what I
memorized in an English translation, 'How smoothly, rapidly, and freely the
sleigh glides in the moonlight when you are with a friend and when, warm and
fresh beneath her sable fur, flushed and trembling, she squeezes your hand.'"
"Lovely sweet talk but it won't help you. You know what I want to do? I want to
put you in chains too. Come on." She put their mugs into his hands and led him
to an outside table. There, she had him put the mugs down and led him into a
luscious and verdant yard mixed with yellow dandelions. Even though it was late
autumn, the climate was arraying the landscape with warm rains and the
dandelions of April. Seated on the ground she tied together a makeshift flower
bracelet that soon became handcuffs.
"And what is that supposed to do to me," he asked
"Maybe slow you down a bit. Nothing much since it is made from flowers. It is
just a reminder that there are flowers out there to be seen."
"As Dostoevsky's character, Razumikhin says 'You can talk the most mistaken
rubbish to me and if it is your own, I will embrace it. It is better to tell
your own lies than somebody else's truth.'"
Public-domain text, read in full here on John Shaqi.
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