Tokyo to Tijuana: Gabriele Departing AmericaSills, Steven David Justin
General
Tokyo to Tijuana: Gabriele Departing America
Sills, Steven David Justin
Fiction
At first she yearned to return to Buddhism and saffron or deep dirt-orange
robed monks to find an equilibrium and harmony within herself. She thought
about going to Laos. From photographs on the Internet it looked like a little
bit of Paris and a lot of dirt. She believed that its simplicity would be to
her liking. She was eager to visit its communist museum and experience its
photographs denouncing the French and American imperialists (the former having
recuperated from the fever that caused delusions of grandeur, but the latter so
delusional to think that it was God that granted such dominion). But as she was
sitting in the travel agency ready to buy a ticket to Bangkok with the
expectation of taking the train to Nongkai, the sister city of Vientiane Laos,
she suddenly changed her mind and decided to buy an airline ticket to Jakarta.
Arriving on a garuda (GA flight 543), she ensconced herself in a hotel room
long enough to take a shower for five minutes and look presentable with an
additional three. Then she wandered streets like a dog following novel scents,
and quickly became elated in a puff of sound and sight of hawkers stretching
out into a street and causing the traffic to squeeze through a narrow area that
was still not annexed under their squalid occupation. In a little park where
all areas of grass were fenced off, near Pasaraya Grande, the shopping mall of
he truly affluent on Blok M, she sketched Moslem women wearing their Haji or
jilbab and glossed in beautiful makeup or not wearing headscarves and makeup at
all but allowed to toss long and beautiful hair. She contrasted the two and was
fascinated by this attempt of Indonesian society to allow women to be modern as
long as they stayed demure, and how an individual was dangled by the invisible
gossamer strings of this great puppeteer, society. Maybe, she thought, when
encountered anew most cultural traits were romantically virtuous. She also
sketched conservative men wearing their little oval shaped hats called kopias
as they went to a little mosque near the department store; but mostly she
sketched the throngs of park people whom she mingled with: guitar boys who,
when not on buses, practiced versions of their beggarly tunes in the concrete
park; a transsexual dancer with bizarre movements; the umbrella shelterers who
eagerly extended an aegis against celestial darts; and that area seen with
myriad candles from the nighttime hawkers who sold their goods on blankets and
sheets, each with its own candle.
Public-domain text, read in full here on John Shaqi.
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