Tokyo to Tijuana: Gabriele Departing AmericaSills, Steven David Justin
General
Tokyo to Tijuana: Gabriele Departing America
Sills, Steven David Justin
Fiction
Only briefly did it fleet through her mind how ludicrous it was for the damaged
monkey that she was to define love at all. With not even a residue of "real
love" there to her observation early in life, these speculations now were
merely word play in her brain. They were the mere friction of cold, solid
sounds and the static of them slapping against each other in their empty
abstractions as she juggled them in her ennui and rained her sour stoic
perspective down on them like tears of knives. To her she was a bored goddess
making lightning and her unique take on love was the rightful striking of Zeus.
Still there were doubts. She did wonder whether the smudge of light penetrating
her consciousness was enlightenment or peering onto the stars with damaged
retinas. To be laconic, she wondered if her judgment calls were merely the
moody caprices of her imagination. For in Houston, that Houston of long ago
with a Gabriele that was a spasm then of myriad spasms in the lost dimensions
of a changing life, hadn't she seen a fellow student as small as a boy and as
limp as a sack of potatoes being picked up by his father, taken from his
classroom at Rice University, lowered into a wheelchair, pushed toward a
vehicle, and then driven off to the next classroom in a different part of the
campus? She had; and it was only from her own obdurate bitchinesss that she
concocted a barrier to keep herself from consciously recalling this father's
spending of money and time to enlighten the dying. It was love in the best
gesture mortals could do, and it went contrary to her assumption that human
society was a loveless "hell-hole" that was beneath her.
Yearning to depart from the bathos of contemporary society for the sublime
colors of Titian, the circular idealism of Raphael, the ugly angular and
emaciated forms of El Greco in that complex inner intensity that rendered
beauty, the mysterious shaded faces of Caravaggio, and the true internal lives
captured in the words of Shakespeare and Hardy, Dostoevsky and Tolstoy,
Melville and James, Plato, Parmenides, and all dead contemplatives, she
snobbishly wished to remove herself from the masses of men. Her contemporaries
seemed to be moving like that loose downward tire of a flipped car and she
seemed to only favor the stagnancy of deceased enlightenment. For a moment, she
was as much as wishing to die to be raptured into their thoughts, and they into
hers, the way a normal person yearned for shared physical and emotional
intimacies. Dying young might be preferable to decades of being pinned into a
stall hearing the shallow grunting of one of those male members of the porcine
herd. Isolation in Antarctica without seals and penguins would be a hundred
times better than that indelible connection of producing for him more grunting
piglets; however death was not rapture but rupture.
"How is Rick?" she asked after he was seated and she had sipped a bit of the
coffee that he had prepared for them.
"The same. Growing."
Public-domain text, read in full here on John Shaqi.
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