Told in a French Garden: August, 1914Aldrich, Mildred
General
Told in a French Garden: August, 1914
Aldrich, Mildred
Short stories
I seemed at first to hear its melody in the fresh morning air, where
it soared upward above the gentle breezes, mingling in harmony with
the matins of the birds and the softly rustling trees. Hopeful as
youth, careless as the wind, it sang in gladness and in trust. Then I
heard the same melody throb under the noonday glow of summer. Its tone
was broadened and sweetened, but still brave and pure, when all else
in Nature, save its clear voice, seemed sensuous. I saw gardens in a
riot of color; felt love at its passionate consummation, ere the light
seemed to fade slowly toward the sunset hour. The world was still
pulsing with color, but the grey of twilight was slowly enwrapping it.
Then the simple melody soared above the day's peacefullest hour, firm
in promise on the hushed air. In the mystery of night which followed,
when black clouds snuffed out the torches of heaven, when the silence
had something of terror even for the brave, that same steadfast loving
hopeful theme moved on, consoling as trust in immortality. Through
youth to maturity, and on to age, it sang with the same reiterant,
subduing, infallible loyalty--the crystallized melody of all that is
spiritual in love, in adoration, in passion.
As it died away into the distance, as if its spirit, barely audible,
were translated to the far off heavenly host, I strained my hearing to
catch that "last fine sound" that passed so gently one "could not be
quite sure where it and silence met," and for the first and last time
in my life I had known all that a violin can do.
For a moment the hush was wonderful.
Rodriguez stood like a statue. His bow still touched the strings. Yet
there was no sound that one could hear, though his own fine head was
still bent, as though he, too, listened.
He gently dropped his bow--he smiled--we all came back to earth
together.
Then such a scene followed as beggars description.
But he passed hurriedly out of sight, and no amount of tumult could
induce him to even show himself again.
Slowly, reluctantly, the audience dispersed, still murmuring. The
musicians picked up their traps, and wildly or soberly according to
their temperaments, began to dispute. It was everywhere the same
topic--the unknown work that Rodriguez had so marvellously played.
As for me--as he played, I seemed to be in the very heart of the
melody, singing it too, as his violin sang it. As the song soared
upward, my heart was filled with longing, with pain, with joy, with
regret. As it gradually died into silence a mist seemed to pass from
before my eyes, and I became suddenly conscious of the sweet face of
my beloved, growing more and more distinct, until, as the last note
died away, I was fully conscious that the music had passed between us,
like a cloud, to obscure my sight utterly, and to recede as slowly,
leaving her face before me.
I knew afterward, that, to all appearances, I had been gazing directly
into her face all the time.
Public-domain text, read in full here on John Shaqi.
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