Told in a French Garden: August, 1914Aldrich, Mildred
General
Told in a French Garden: August, 1914
Aldrich, Mildred
Short stories
"I started out this afternoon to find you, oblivious of the fact that
I should have left town. I had the audacity to tell myself that I
should be a cad if I departed without thanking the sweet daughter of
your mother for her share in making me great. I had the presumption to
believe in myself. It seemed natural enough to your good father that
'a whimsical genius,' as he called me, should be allowed the caprice
of even tardily looking up his boyhood's acquaintance. He received me
nobly, was proud that you should see I remembered him--and simply made
no secret of it.
"Though I knew what you had seemed to me, I little realized that the
child of true, fine musical spirits had a nature strung like my
Strad--fine, clear, true, matchless, as well as inspiring. I spent a
beautiful afternoon with you. I cannot better explain than by saying
that to me it was like such a day as I have sometimes had with my
violin. I call them my holy-days, and God knows I try to keep them
holy,--though after too many of them follow a St. Michael and the
Dragon tussle--and I mean no discredit to the Archangel, either.
"The honest old father, proud to trust his daughter to me,--in his
kind heart he always considered me a most maligned man,--went off to
the play and his Saturday night club. He told me that.
"We were alone together. It was then that I began to think that I
could probably play on her nature as I did on my violin, and then,
with a player's frenzy, to realize that I had been doing it from the
first; that we had vibrated in harmony like two ends of a chord. Then
I saw no more the spirit behind her eyes. I saw only the beautiful
face in which the color came and went, the burnished hair so full of
golden lights, on which I longed to lay my hand--the sensitive red
lips--and the angel and the demon rose up within me, and looked one
another in the face, and I heard the one fling the truth at the other,
which even the devil no longer cared to deny--Ah, forgive me!--"
In his egoism of self-analysis and open confession, I am sure he did
not realize how far he was going, until she buried her face in her
hands.
Then he stepped across the room and stood before me as she rested her
face in her hands against my breast.
"It was not especially clever--the last struggle against myself. I had
never known such a woman before. I suppose if I had, I should have
tortured her to death to strike new chords out of her nature,--and
wept at my work! I had not the courage to tear myself abruptly away. I
suggested an hour of the opera--I gave her the public as a
protector--and they sang 'Faust.' It was then that, knowing myself so
well, I looked out into the auditorium and saw you! It was Providence
that put you in my way. I thought it was accident. I am sure I need
say no more?"
I shook my head.
He leaned over her a moment. He gently took her hands from her face.
Her eyelids trembled. For one brief moment she opened her eyes to his.
Public-domain text, read in full here on John Shaqi.
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