Toledo, the Story of an Old Spanish CapitalLynch, Hannah
History
Toledo, the Story of an Old Spanish Capital
Lynch, Hannah
Toledo (Spain) -- Description and travel; Toledo (Spain) -- History
scruple to fling their caps, ay, even stones at you. Other Spanish towns
are proud and noble in their decay, Toledo is unhappily degraded and
brutalised. She has no commerce, no stir, no money. She has no
communication with the outer world except through the travellers who
briefly pass her way, and upon whose exploitation she lives. She has no
standard of civilisation. Her object is to make every foreigner pay for
every step he takes along her rude and inhospitable pavements. The
people have no desire whatever to make a good impression, no pride in
the hope that the stranger shall go away and speak them fair in remote
parts. They neither want his good opinion nor his sympathy; but they
want as much of his money as they can get. The ill-will is general.
Canons, citizens, sacristans, guides, interpreters--all appear to be in
a secret league to multiply difficulties and exact tips. Only the common
women, all over Spain the cream of the race, retain something of Spanish
good-nature and courtesy. If Spain should ever be redeemed and lifted
once again to her old position as a nation of the earth--for now she is
but a squalid and disorderly province--it will be due to the persistent
amiability and kindliness of the women of the people. These want nothing
but intelligence to make them the equals of the French, and here the
intelligence is only dormant. It would take so little to develop it, and
they are so unconsciously the better half, in such pathetic and humble
ignorance of their superiority to their pretentious mates. So little
love have the people for anything that is graceful, or charming or
pleasant, that the guitar-players would not dream, as they wander down
the dark romantic streets at night, of thrumming their guitar for mere
pleasure. They must be paid a real (2-1/2d.) before they will play a
single air, and then of the shortest, and if you wish them to continue
you must continue producing reals at intervals. I have not heard any
good playing here, and the music is of the vulgarest, but such as it is,
in a dead town without a single distraction or break in the night's
monotony, one would gladly pay a peseta to hear undisturbed a little
Toledan music. But no. They have no artistic desire to please before
receiving payment. Their mean terror is of playing a bar that shall go
unpaid for, and for this reason they stop in the middle of an air and
spoil their effect.
Public-domain text, read in full here on John Shaqi.
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