The mighty fortress of tradition, builded slowly and carefully during
fifteen centuries of unlimited power, could not be taken by assault.
The scandals which had taken place within these hallowed enclosures;
the wars between three rival Popes, each claiming to be the legitimate
and exclusive heir to the chair of Holy Peter; the utter corruption of
the courts of Rome and Avignon, where laws were made for the purpose
of being broken by those who were willing to pay for such favors; the
utter demoralization of monastic life; the venality of those who used
the recently increased horrors of purgatory as an excuse to blackmail
poor parents into paying large sums of money for the benefit of their
dead children; all these things, although widely known, never really
threatened the safety of the Church.
But the chance shots fired at random by certain men and women who were
not at all interested in ecclesiastical matters, who had no particular
grievance against either pope or bishop, these caused the damage which
finally made the old edifice collapse.
What the “thin, pale man” from Prague had failed to accomplish with his
high ideals of Christian virtue was brought about by a motley crowd
of private citizens who had no other ambition than to live and die
(preferably at a ripe old age) as loyal patrons of all the good things of
this world and faithful sons of the Mother Church.
They came from all the seven corners of Europe. They represented every
sort of profession and they would have been very angry, had an historian
told them what they were doing.
For instance, take the case of Marco Polo.
We know him as a mighty traveler, a man who had seen such wondrous sights
that his neighbors, accustomed to the smaller scale of their western
cities, called him “Million Dollar Marc” and laughed uproariously when he
told them of golden thrones as high as a tower and of granite walls that
would stretch all the way from the Baltic to the Black Sea.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account