Tolstoy was already urging the Russian revolution: "For three or four
years now men have cursed us on the highway and called us sluggards
and skulkers. The hatred and contempt of the downtrodden people are
becoming more intense." (_What shall we do?_)
[8] The peasant-revolutionist Bondarev would have had this law
recognised as a universal obligation. Tolstoy was then subject to his
influence, as also to that of another peasant, Sutayev.--"During the
whole of my life two Russian thinkers have had a great moral influence
over me, have enriched my mind, and have elucidated for me my own
conception of the world. They were two peasants, Sutayev and Bondarev."
(_What shall we do?_)
In the same book Tolstoy gives us a portrait of Sutayev, and records a
conversation with him.
[9] _Vicious Pleasures,_ or in the French translation _Alcohol and
Tobacco,_ 1895.
[10] _Cruel Pleasures_ (_the Meat-eaters; War; Hunting_), 1895.
[11] The sacrifice was difficult; the passion inherited. He was not
sentimental; he never felt much pity for animals. For him all things
fell into three planes: "1. Reasoning beings; 2. animals and plants;
3. inanimate matter." He was not without a trace of native cruelty. He
relates the pleasure he felt in watching the struggles of a wolf which
he killed. Remorse was of later growth.
CHAPTER XII
ART AND CONSCIENCE
This moral revolution of Tolstoy's met with little sympathy from his
immediate world; his family and his relatives were appalled by it.
For a long time Countess Tolstoy had been anxiously watching the
progress of a symptom against which she had fought in vain. As early as
1874 she had seen with indignation the amount of time and energy which
her husband spent in connection with the schools.
"This spelling-book, this arithmetic, this grammar--I feel a contempt
for them, and I cannot assume a semblance of interest in them."
Matters were very different when pedagogy was succeeded by religion. So
hostile was the Countess's reception of the first confidences of the
convert that Tolstoy felt obliged to apologise when he spoke of God in
his letters:
"Do not be vexed, as you so often are when I mention God; I cannot help
it, for He is the very basis of my thought."[1]
The Countess was touched, no doubt; she tried to conceal her
impatience; but she did not understand; and she watched her husband
anxiously.
"His eyes are strange and fixed. He scarcely speaks. He does not seem
to belong to this world." She feared he was ill.
"Leo is always working, by what he tells me. Alas! he is writing
religious discussions of some kind. He reads and he ponders until he
gives himself the headache, and all this to prove that the Church is
not in agreement with the teaching of the Gospel. He will hardly find
a dozen people in Russia whom the matter could possibly interest. But
there is nothing to be done. I have only one hope: that he will be done
with it all the sooner, and that it will pass off like an illness."
Public-domain text, read in full here on John Shaqi.
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