The lyrical powers of the writer are given but little play. His art
has become more impersonal; more alien to his own life. The world
of criminals and revolutionaries, which he here describes, was
unfamiliar to him;[2] he enters it only by an effort of voluntary
sympathy; he even admits that before studying them at close quarters
the revolutionaries inspired him with an unconquerable aversion. All
the more admirable is his impeccable observation--a faultless mirror.
What a wealth of types, of precise details! How everything is _seen_;
baseness and virtue, without hardness, without weakness, but with a
serene understanding and a brotherly pity.... The terrible picture
of the women in the prison! They are pitiless to one another; but
the artist is the merciful God; he sees, in the heart of each, the
distress that hides beneath humiliation, and the tearful eyes beneath
the mask of effrontery. The pure, faint light which little by little
waxes within the vicious mind of Maslova, and at last illumines her
with a sacrificial flame, has the touching beauty of one of those rays
of sunshine which transfigure some humble scene painted by the brush
of Rembrandt. There is no severity here, even for the warders and
executioners. "Lord, forgive them, for they know not what they do!" ...
The worst of it is that often they do know what they do; they feel all
the pangs of remorse, yet they cannot do otherwise. There broods over
the book the sense of the crushing and inevitable fatality which weighs
upon those who suffer and those who cause that suffering: the director
of the prison, full of natural kindness, as sick of his jailer's life
as of the pianoforte exercises of the pale, sickly daughter with the
dark circles beneath her eyes, who indefatigably murders a rhapsody
of Liszt; the Governor-General of the Siberian town, intelligent
and kindly, who, in the hope of escaping the inevitable conflict
between the good he wishes to do and the evil he is forced to do, has
been steadily drinking since the age of thirty-five; who is always
sufficiently master of himself to keep up appearances, even when he is
drunk. And among these people we find the ordinary affection for wife
and children, although their calling renders them pitiless in respect
of the rest of humanity.
Public-domain text, read in full here on John Shaqi.
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