Tolstoy on Shakespeare: A Critical Essay on ShakespeareTolstoy, Leo, graf
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Tolstoy on Shakespeare: A Critical Essay on Shakespeare
Tolstoy, Leo, graf
Shakespeare, William, 1564-1616 -- Criticism and interpretation; Shakespeare, William, 1564-1616 -- Political and social views
"I saw a smith stand with his hammer, thus,
The whilst his iron did on his anvil cool,
With open mouth swallowing a tailor's news;
Who, with his shears and measure in his hand,
Standing on slippers (which his nimble haste
Had falsely thrust upon contrary feet),
Told of a many thousand warlike French
That were embattailed and rank'd in Kent.
Another lean, unwashed artificer,
Cuts off his tale, and talks of Arthur's death."
(Act 4, Sc. 2.)
Macbeth, while sounding the murderers whom he intends to employ, and who
say to him, "We are men, my liege," answers:
"Ay, in the catalogue, ye go for men
As hounds and greyhounds, mongrels, spaniels, curs,
Shoughs, water-sugs, and demi-wolves, are cleped
All by the name of dogs."
(Act 3, Sc. 1.)
As Coriolanus is held up to our view as a pattern of noble bearing
toward the people, so Richard II. condemns the courteous behavior of the
future Henry IV. on his way into banishment. He says:
"Ourselves, and Bushy, Bagot here and Green
Observed his courtship to the common people;
How he did seem to dive into their hearts
With humble and familiar courtesy;
What reverence he did throw away on slaves;
Wooing poor craftsmen with the craft of smiles
And patient overbearing of his fortune,
As 'twere to banish their effects with him.
Off goes his bonnet to an oyster-wench;
A brace of draymen did God speed him well
And had the tribute of his supple knee,
With 'Thanks, my countrymen, my loving friends.'"
(Richard II., Act 1, Sc. 4.)
The King of France, in "All's Well that Ends Well," commends to Bertram
the example of his late father in his relations with his inferiors:
"Who were below him
He used as creatures of another place,
And bowed his eminent top to their low ranks,
Making them proud of his humility
In their poor praise he humbled. Such a man
Might be a copy to these younger times."
(Act 1, Sc. 2.)
Shakespeare had no fondness for these "younger times," with their
increasing suggestion of democracy. Despising the masses, he had no
sympathy with the idea of improving their condition or increasing their
power. He saw the signs of the times with foreboding, as did his hero,
Hamlet:
"By the Lord, Horatio, these three years I have taken note of it; the
age has grown so picked, that the toe of the peasant comes so near the
heel of the courtier, he galls his kibe." There can easily be too much
liberty, according to Shakespeare--"too much liberty, my Lucio,
liberty" (Measure for Measure, Act 1, Sc. 3), but the idea of too much
authority is foreign to him. Claudio, himself under arrest, sings its
praises:
Public-domain text, read in full here on John Shaqi.
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