Dancing was, indeed, the great art of the era. Vestris and Trénis were
the great names in every _salon_; and all the extravagant graces and
voluptuous groupings of the ballet were introduced into the amusements
of society: even the taste in dress was made subordinate to this
passion,--the light and floating materials, which mark the figure and
display symmetry, replacing the heavier and more costly robes of former
times. The reaction to the stern puritanism of the Republican age had
set in, and secretly was favored by Napoleon himself; who saw in all
this extravagance and abandonment to pleasure the basis of that new
social state on which he purposed to found his dynasty.
Never were the entertainments at the Tuileries more costly; never was
a greater magnificence displayed in all the ceremonial of state. The
marshals of the Empire were enjoined to maintain a style corresponding
to their exalted position; and the reports of the police were actually
studied respecting such persons as lived in what was deemed a manner
unbefitting their means of expense. Cambacérès and Fouché, Talleyrand
and Murat, all maintained splendid establishments. Their dinners were
given twice each week, and their receptions were almost every evening.
If the Emperor conferred wealth with a liberal hand, so did he expect to
see it freely expended. He knew well the importance of conciliating the
affections of the _bourgeoisie_ of Paris; and that by no other means
could such an end be accomplished more readily than by a lavish
expenditure of money throughout all classes of society. This was alone
wanting to efface every trace of the old Republican spirit. The simple
habits and uncostly tastes of the Jacobins were at once regarded as
meannesses; their frugal and unpretending modes of life pronounced low
and vulgar; and many, who could have opposed a stout heart against
the current of popular feeling on stronger grounds, yielded to the
insinuations and mockeries of their own class, and conformed to tastes
which eventually engendered opinions and even principles.
I ask pardon of my reader for digressing from the immediate subject of
my own career, to speak of topics which are rather the province of the
historian than a mere story-teller like myself; still, I should not be
able to present to his view the picture of manners I desired, without
thus recalling some features of that time, so pregnant with the fate of
Europe and the future destiny of France. And now to return.
Public-domain text, read in full here on John Shaqi.
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