The scene was wild enough. Before the door a circle was formed by about
twenty women, all in their best clothes, sitting on the ground, and
swaying their bodies to and fro, while they sung in chorus the wild dirge
already mentioned, the words of which I could not make out; in the centre
of the circle sat four men playing on gumbies, or the long drum formerly
described, while a fifth stood behind them, with a conch-shell, which he
kept sounding at intervals. Other three negroes kept circling round the
outer verge of the circle of women, naked all to their waist cloths,
spinning about and about with their hands above their heads, like so many
dancing dervishes. It was one of these three that from time to time took
up the recitative, the female chorus breaking in after each line. Close
to the drummers lay the body in an open coffin, supported on two low
stools or trestles; a piece of flaming resinous wood was stuck in the
ground at the head, and another at the feet; and a lump of kneaded clay,
in which another torchlike splinter was fixed, rested on the breast. An
old man, naked like the solo singer, was digging a grave close to where
the body lay. The following was the chant:--
“I say, broder, you can’t go yet.”
THEN THE CHORUS OF FEMALE VOICES
“When de morning star rise, den we put you in a hole.”
CHORUS AGAIN
“Den you go in a Africa, you see Fetish dere.”
CHORUS
“You shall nyam goat dere, wid all your family.”
CHORUS
“Buccra can’t come dere; say, dam rascal, why you no work?”
CHORUS
“Buccra can’t catch Duppy, no, no.”
CHORUS
Three calabashes, or gourds, with pork, yams, and rum, were placed on a
small bench that stood close to the head of the bier, and at right angles
to it.
In a little while, the women, singing-men, and drummers, suddenly gave a
loud shout, or rather yell, clapped their hands three times, and then
rushed into the surrounding cottages, leaving the old grave-digger alone
with the body.
He had completed the grave, and had squatted himself on his hams beside
the coffin, swinging his body as the women had done, and uttering a low
moaning sound, frequently ending in a loud pech, like that of a paviour
when he brings down his rammer.
I noticed he kept looking towards the east, watching, as I conjectured,
the first appearance of the morning star, but it was yet too early.
He lifted the gourd with the pork, and took a large mouthful.
“How is dis? I can’t put dis meat in Quacco’s coffin, dere is salt in de
pork; Duppy can’t bear salt,” another large mouthful--“Duppy hate salt too
much,”--here he ate it all up, and placed the empty gourd in the coffin.
He then took up the one with boiled yam in it, and tasted it also.
“Salt here too--who de debil do such a ting?--must not let Duppy taste
dat.” He discussed this also, placing the empty vessel in the coffin as he
had done with the other. He then came to the calabash with the rum.
There is no salt there, thought I.
Public-domain text, read in full here on John Shaqi.
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