When we got nearer, the wharfs and different streets, as we successively opened them, were crowded with blackamoors, men, women, and children, dancing and singing and shouting, and all rigged out in their best. When we landed on the agents wharf we were immediately surrounded by a group of these merry-makers, which happened to be the Butchers John Canoe party, and a curious exhibition it unquestionably was. The prominent character was, as usual, the John Canoe or Jack Pudding. He was a light, active, clean made young Creole negro, without shoes or stockings; he wore a pair of light jean small-clothes, all too wide, but confined at the knees, below and above, by bands of red tape, after the manner that Malvolio would have called cross-gartering. He wore a splendid blue velvet waistcoat, with old-fashioned flaps coming down over his hips, and covered with tarnished embroidery. His shirt was absent on leave, I suppose, but at the wrists of his coat he had tin or white iron frills, with loose pieces attached, which tinkled as he moved, and set off the dingy paws that were stuck through these strange manacles, like black wax tapers in silver candlesticks. His coat was an old blue artillery uniform one, with a small bell hung to the extreme points of the swallow-tailed skirts, and three tarnished epaulets; one on each shoulder, and, O ye immortal gods! O Mars omnipotent! the biggest of the three stuck at his rump, the point d’appuit for a sheep’s tail. He had an enormous cocked hat on, to which was appended in front a white false-face or mask, of a most methodistical expression, while, Janus like, there was another face behind, of the most quizzical description, a sort of living Antithesis, both being garnished and overtopped with one coarse wig, made of the hair of bullocks tails, on which the chapeau was strapped down with a broad band of gold lace. He skipped up to us with a white wand in one hand and a dirty handkerchief in the other, and with sundry moppings and mowings, first wiping my shoes with his mouchoir, then my face, (murder, what a flavour of salt fish and onions it had!) he made a smart enough pirouette, and then sprung on the back of a nondescript animal, that now advanced capering and jumping about after the most grotesque fashion that can be imagined. This was the signal for the music to begin. The performers were two gigantic men, dressed in calf-skins entire, head, four legs, and tail. The skin of the head was made to fit like a hood, the two fore-feet hung dangling down in front, one over each shoulder, while the other two legs, or hind-feet, and the tail, trailed behind on the ground; deuce another article they had on in the shape of clothing except a handkerchief, of some flaming pattern, tied round the waist. There were also two flute-players in sheepskins, looking still more outlandish from the horns on the animals heads being preserved; and three stout fellows, who were dressed in the common white frock and