“Yes, when it’s with me!” Tom said, with a chuckle. “Not otherwise. I
saw a black cat as we were taking off, and I guess that will neutralize
Friday the thirteenth. Don’t worry!”
There seemed to be no cause for worry on the first leg of the final
trip. They got off very well, and under the care of Dolan, who had
recovered from his indisposition, the _Osprey_ winged her way across the
mountains like the bird whose name she bore.
They were well ahead of their schedule when they landed in Denver, and
luck was with them on the second lap, when Stone and his helper, with
occasional relief from Tom and Ned, piloted the _Eagle_ on its eastern
journey.
“Well, Tom, old scout, it looks as if we were going to come through with
flying colors!” cried Ned, as preparations to land in Chicago were being
made.
“I hope so,” was the answer.
There was a quick change of the car from the _Eagle_ to the _Falcon_ at
the Chicago field, and Tom was about to give the signal to take off when
a man with a reflex camera came dashing across the field. There had been
a score of newspaper pictures taken, as well as many feet of movies, and
Tom and Ned thought this man was a late-comer.
“Just a moment, Mr. Swift—please!” he cried, as he ran forward, his
head almost inside the camera.
Tom was used to this plea from the hard-working newspaper
picture-takers, and though he was anxious to be off he delayed a moment.
He knew it might mean the discharge of a man if he came back without a
picture he had been ordered to get.
A reflex camera, as those interested in photography know, is one with a
focal plane shutter, exceedingly rapid in action. It is much used in
news photography. The operator raises a hood, which serves the same
purpose as the black focusing cloth in the photograph gallery. To get
sharp pictures it is necessary to focus up to the last moment. In the
reflex camera the operator can see the image of the picture he is about
to take on a ground glass. When the focal plane shutter is released this
ground glass automatically drops out of the way.
Something in the actions of this man aroused the suspicions of Tom. He
looked at him keenly for a moment as the fellow ran forward, his head
almost inside his camera. Then, with a cry, Tom leaped out of the window
of the car, and, like a football tackler, threw himself on the man. He
knocked the fellow down, grabbed the camera and threw it as far as he
could in a direction where there were no spectators.
“Look out!” yelled Tom. “It’s a bomb!”
So it proved, for when the “camera” landed there was a sharp report and
a puff of smoke, followed by a shower of dirt.
“I’ve got you, Schlump!” yelled the young inventor. Tom twisted the
fellow’s hands up on his own back as he rolled him over on his face and
sat on the scoundrel.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account