The night of the final test came at last. Several changes had been made
both in the projecting machine and in the broadcasting studio since
Tom’s last attempt to show talking pictures. He had put a metallic
curtain with reflecting mirrors in the room where Mr. Damon and Ned had
done their part and the results were better.
“Though some day, Ned,” Tom said to his chum, after a preliminary test,
“I’ll show these images without the use of any screen at all. I’ll pick
the electric impulses right out of the air just as wireless sound waves
come now.”
“That will mean you can broadcast from any theater without the use of
this sort of curtain,” Ned remarked, pointing to the one in the
broadcasting room.
“That’s right. All that will be needed in the theater will be a small
cabinet, out of sight, on the stage. But more of that later. Now we’ll
go ahead with the test.”
The moving picture and theatrical men, representing the syndicate that
had bought a half interest in Tom’s invention, were on hand in the
studio. They had brought with them some experts who were to pass on
certain phases of the machine. Mr. Damon, with Ned and the two girls
were in the studio. Tom Swift, with Mr. Jackson and some men to assist
him, was busy at the projecting machine by means of which the audience
hoped to hear the distant music and see the performers through several
solid walls.
“All ready, Ned?” Tom asked over the private telephone.
“All set,” was the answer.
“Then get going!” ordered Tom in a low voice.
He turned the switch for the final test, knowing that a great deal
depended on it. Those three million dollars were sorely needed to save
the Swift fortunes.
CHAPTER XXV
A BRIGHT FUTURE
THERE was a hissing, buzzing sound in the studio where, on an improvised
stage, Ned, Mr. Damon, Mary Nestor and Helen Morton were going through a
hastily sketched act.
Tom Swift had so improved his lighting arrangements, by using screen
filters, that there was no restriction as to the color of the garments
worn by the performers. The girls’ dresses were particularly gay and of
many hues, for Tom wanted a bright picture on the screen. Mr. Damon had
attired himself as a clown while Ned was a pirate with a red
handkerchief on his head.
“Oh, a pirate’s life for me!” sang Ned, and so on with the rest of the
song while the girls and Mr. Damon joined in.
On his part, in the laboratory room, Tom had adjusted the switches and
stood near his machine. Ranged in a semicircle in front of him was the
audience.
“Everything is ready, gentlemen,” said the young inventor in a low
voice. “You will now see and hear what I have to offer.”
Suddenly, through the loud speaker, came the voices of the performers,
as clear and distinct as though they were in the same room. There was no
blasting effect, no tinny, horn-like element in the music.
Public-domain text, read in full here on John Shaqi.
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