Frontier and pioneer life -- Fiction; Miners -- Fiction; San Francisco (Calif.) -- Fiction; Singers -- Fiction
Their doubts on this point were soon set at rest. Their approaching
footsteps evidently were heard by a listening ear within, for the hall
door opened and Benito appeared in the aperture.
“There’s a man to see you in the parlor,” he announced to Mariposa.
Inside the hallway the door on the left that led to Mrs. Garcia’s
apartments opened and the young woman thrust out her head, and said in
a hissing whisper:
“There’s a gentleman waiting for you in the parlor, Miss Moreau.”
At the same time Miguel imparted similar information from the top of
the stairs, and the Chinaman appeared at the kitchen door and cried
from thence, with the laconic dryness peculiar to his race:
“One man see you, parlor.”
Mariposa stood looking from one to the other with the raised eyebrows
of inquiring astonishment. The only person who had visitors in the
Garcia house was Pierpont, and they did not come at such a fashionably
late hour.
“He’s a thin, consumpted-looking young man with eye-glasses,” said
Mrs. Garcia, curling round the door the better to project the hissing
whisper she employed, “and he said he’d wait till you came in.”
Mariposa turned toward the parlor door, leaving the family, with
Barron, on the stairs, and the Chinaman, peering from the kitchen
regions, watching her with tense interest, as if they half expected
they would never see her again.
Two of the gases in the old chandelier were lit and cast a sickly light
over the large room, which had the close, musty smell of an unaired
apartment. The last relics of Señora Garcia’s grandeur were congregated
here--bronzes that once had cost large sums of money, a gilt console
that had been brought from a rifled French château round the Horn in
a sailing ship, a buhl cabinet with its delicate silvery inlaying
gleaming in the half-light, and two huge Japanese vases, with blue and
white dragons crawling round their necks, flanking the fireplace.
On the edge of a chair, just under the chandelier, sat a young man. He
had his hat in his hand, and his head drooped so that the light fell
smoothly on the crown of blond hair. He looked small and meager in the
surrounding folds of a very large and loose ulster. As the sound of
the approaching step caught his ear he started and looked up, with the
narrowed eyes of the near-sighted, and then jumped to his feet.
“Miss Moreau?” he said inquiringly, and extended a long, thin hand
which, closing on hers, felt to her warm, soft grasp like a bunch of
chilled sticks. She had not the slightest idea who he was, and looking
at him under the wan light, saw he was some one from that world of
wealth with which she had so few affiliations. Something about him--the
coldness of his hand, an indescribable trepidation of manner--suggested
to her that he was exceedingly ill at ease. She looked at him
wonderingly, and said:
“Won’t you sit down?”
Public-domain text, read in full here on John Shaqi.
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