Frontier and pioneer life -- Fiction; Miners -- Fiction; San Francisco (Calif.) -- Fiction; Singers -- Fiction
With a scrambling and jolting the horses began what appeared an even
steeper climb than that of the block before. The beasts seemed to
dig their hoofs into the crevices between the cobbles and to clamber
perilously up. With an oath Barron kicked open the door and sprang out.
“Come on, boy,” he shouted. “I can’t stand this snail of a carriage any
longer.” And he set out running up the hill.
The boy, who was light of foot and young, kept up with him, but the two
heavier men, who had followed, were left behind, puffing and blowing in
the darkness.
Suddenly the great wall, at the base of which they ran, was crossed by
a flight of stairs that made two oblique stripes across its face.
“Up the stairs,” said the boy.
And Barron, without reply, turned and began the ascent at the same
breakneck speed.
“You may as well let me go first,” gasped his conductor from behind
him. “You don’t know the way, and you might scare the Chinaman. He said
he had a gun.”
Barron stood aside for him to pass and then followed the nimble figure
as it darted up the second flight. The boy was evidently nearing the
top, when he sang out:
“Ah, there, Lee! It’s me coming back.”
There was an unmistakable Chinese guttural from somewhere, and then
Barron himself rose above the stair-top. A black mass of garden lay
before him, with the bulk of a large house a short distance back. Many
windows were lit, and in one he saw a woman standing. Their light
fell out over the garden, barring it with long rectangular stripes
of brilliance. The wild bark of the dog rose from the house and on
the unseen walk the Chinaman’s footsteps could be heard crunching the
pebbles.
“Is she there yet, Lee?” said the boy in a hissing whisper.
The Chinaman’s affirmative grunt rose from the darkness of massed
trees, into which his footsteps continued to retreat.
“This way,” said his conductor to Barron. “But hang it all, it’s so
dark we can’t see.”
“Where is she?” said Barron. “Never mind the light. Show me where she
is. Mariposa!” he said suddenly, in a voice which, though low, had a
quality so thrilling it might have penetrated the ear of death.
The garden, rain-swept and rustling, grew quiet. The sound of the
Chinaman’s footsteps ceased, even the panting breath of the boy was
suddenly suspended.
In this moment of pause, when nature seemed to quell her riot to
listen, a woman’s voice, sweet and soft, rose out of impenetrable
darkness:
“Who called me?”
The sound broke the agony that had congealed Barron’s heart. With a
shout he answered:
“It’s I, dearest. Where are you? Come to me.”
The voice rose again, faint, but with joy in it.
“Oh, have you come--have you come, at last!”
He made a rush forward into the blackness before him. At the same
moment the two men rose, spent and breathless, from the stairs. The boy
was behind Barron, and they behind the boy.
“Where are you? Where are you?” they heard him cry, as he crashed
forward through shrubs and flower beds.
Public-domain text, read in full here on John Shaqi.
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